Ricky Phillips

Wed
08
Feb

Ricky Phillips (2003)

Categories: 
Interviews
Ricky Phillips: A new man joins the Styx club.

 

Ricky Phillips taks about his new rols as Styx bass player and what's ahead for him and how it feels to be part of a band once again after a long time in the studio.


So Ricky, I must thank you for taking to time to chat and offer some comments on joining Styx! Congratulations! I'm a long time fan of the band, but even more so a fan of Glen Burtnik and Lawrence Gowan, who I thought were great choices to join the band.
Yeah, I'm just the opposite...a huge STYX fan who is now a Lawrence and Glen fan.. Lawrence Gowan is the most amazing keyboardist. He can jump from rock to ragtime to classical like the flip of a switch...and scary good. He's also hysterically funny... I didn't know too much about Glen Burtnik. I had heard his name but he's East Coast and I'm West so our paths hadn't crossed. When I first got the call for the gig I went to a show in Orange County with Tommy, Todd and the tour manager George Packer. When we
got there I asked someone to introduce me to him. He and his wife were both very sweet. They couldn't have been nicer. I started talking to him and he said he did some gigs with [John] Waite and I said wow, small world.
...Tommy and I figure we've known each other for over 20 years…

Are you serious? I was wondering how you got the gig!
Well you'd have to ask them that but I do remember saying I'm honored and flattered, but why me? I guess Todd said they put a list together of who would compliment the
band's style and I'm sure other various considerations and somehow I ended
up at the top.

Fantastic!
Yeah, they did their homework checking me out, they called [John] Kalodner
and other people who knew me and had worked with me.
But I was really surprised. The biggest contention ... the biggest hurdle...
JY said to me "We're not even going to get into the bass playing end of it,
that's a done deal." But what he was concerned with was that... well, Styx
has this identifiable vocal sound - you throw in one voice that doesn't fit
and it can sound completely different.
Good bad or ugly you don't know what that's going to do or sound like until
you do it...and I knew JY was Right.
So they did their last shows in Orange County with Glen and the following night was in Pomona that was the last show. They had the trucks still loaded with all the gear and stuff and we got a soundstage in Burbank, went in and blew down the first 4 song opener and a 14 song medley that they do in the show. Then, Lawrence and I started doing the Beatles thing...and Tommy throws on his 12 string and starts going up to the mike doing his thing, then Todd jumps in it was brilliant. Then we blew through the back
side of Abbey Road...ya know...Golden Slumbers on out it was unbelievably
comfortable.
It was just like a bunch of guys hanging out like we'd been doing this for years.

They started firing new songs at me, as they are going to change the set around. They haven't been doing "Snowblind" and I dig that song...we're going to do that and they are going to revisit some cool songs they haven't been doing for a while. I toured with Styx when it was all the original members and I somehow have a feeling it is going to get back to that sound... with the addition of their new CD.
When I first heard the Cyclorama CD I was blown away with how good it sounded...a very clever fusion of styles. My 1st take...Definitely a modern sounding Styx with retro visits...Yes, 10cc,Zep The Beatles and some new territory.

For Styx fans that are interested, I think you are a very intricate player - Frederiksen Phillips and Coverdale Page for example.
Yeah, when I moved to LA, the first band I was in 'Dulaine' was like Genesis meets Yes meets ELP with Beatle harmonies. And there were only 4 of us in the band. His songs (Timmy Dulaine) were the hardest I've ever had to learn in my life.
That gig was in a round about way the reason I got the gig with The Babys. (Explains.....)
The point of that story is that I was doing really intricate sort of music back then and The Babys was an offshoot of Free, The Faces, Humble Pie and even the very first Led Zeppelin album. Real rootsy English stuff. I loved those bands. I like going from intricate stuff and still appreciating simple rootsy rock n' roll...not overstating the obvious by overplaying...I like all that. The best of both rock worlds.

Styx fans are very obsessed and they can be pretty intense.
Yeah, I've already got a lot of e-mails!

I bet you have…haha…so you see yourself as more of a traditional member?
I'm not sure what you mean. I don't know what I am. I have been writing stuff with no avenue for it. When Tommy said let's go to the beach house and write, I was going shit man, maybe this is why I've been writing all this music. He and I have had conversations about...things that appear on the path were probably meant to be...and..."be careful what you wish for". It started when I said to Tommy, "Did you ever think 20 some years ago, when the Babys opened for STYX that we'd be talkin' about this"...me joining STYX.
Anyway, I have CDs and idea tapes of all this music...but I'm not even sure if its in a STYX direction...maybe. At one point I thought, ok I'll do another Frederiksen/Phillips record. I'm ready now. But now I have other things on my mind......
Neal Schon got on the phone a few days ago, and he says “..."Is this Mr. Roboto?"

Ha ha...that's cool.
Yeah, he and Deen both called me, they were supportive and excited for me.
It was a great phone call. They were telling me what a great organization Styx have and what great guys they are. Neal was saying this is the perfect band for me, how I can stretch out and do some cool things.

I saw the show in LA in May. I came around your place but you had to head out.
Oh yeah, I was I in the studio with Montrose that day.

Yes, you were. How's that going?
Great. Ronnie has asked me to produce the CD with him. Hagar's doing a track, Eric Martin is doing a track, Edgar Winter, Greg Rollie, Terry Reid, Mark Farner, and a few more surprises. We're having the singers write the songs with us. We've got the basic tracks done, but we're going to finish the tracks with the singers, so they can
have a little piece of themselves in each track.
The basic tracks though are absolutely fantastic. No click tracks, recorded as real live rock n roll. We recorded it on the same machine that recorded The Wall.

Good to see Sammy on there.
Yeah, Sammy and Ronnie are good friends again, so that's great, they did
those shows together with the original Montrose line up.

Joining Styx is a really big deal - you haven't been in a band for a while
now….

Yeah, The Styx guys are great guys. Tommy and I have been friends for ever.
And Todd Sucherman - When we first worked together I told him he was the
best drummer I'd played with since Deen Castronovo and now Deen is a huge
fan of his.
Todd is a-mazing, we are having so much fun. We did this record together
that never got released a couple years ago called Forrest Blackburn. And
we've had this mutual admiration since.

We'll I think it's great for you. I gather you are in for the long haul, not
just this tour?


This was one of the conditions. Tommy said, "We are going to tour until me and JY drop... we want to do that. Is that what you want?" I like these guys...besides being great musicians they are good people. I'm really digging playing live again. I love producing and writing songs, but that was never supposed to replace performing live. Sometimes you have to know when to put your boots back on.
Styx carries a full crew just like they always did. They care enough about the show to carry and keep employed a full crew like in the old days, even a carpenter. They insist on delivering a quality show.

It looked like it too…
I respect them for that.

How did the first shows with the band go?
The first shows have been really very good but each one seems to get exceedingly better. We're havin' us some fun up there!

How were the fans and the band's reaction to the shows?
The fans are amazing...they send presents and cards backstage...and some things I can't mention. They've held banners saying Welcome Ricky and a little kid handed me a button with a picture of me on stage from the night before with "WELCOME TO STYX WORLD RICKY" printed on it. Sweet stuff.

And have you discussed any other plans with the band as yet, or just the
immediate touring future?

Yes, we plan to rock your world.

Well, I can't wait to hear the next Styx record!
Haha me too buddy! I'll be doing what I can.

Good to talk to you Ricky.
Oh, thanks very much for your interest in calling me, it's always good to
hear form you. Anything you need, let me know.

Thanks, same goes. Bye for now.
Take care.

Check out www.rickyphillips.com for more on Ricky and www.styxworld.com for more Styx.

 

 
Mon
19
Sep

One On One With Mitch Lafon - RICKY PHILLIPS

Release Year: 
2015
Categories: 
Podcasts & Radio

STYX's Ricky Phillips guests on Ep. 260 of One On One With Mitch Lafon.

LINK TO INTERVIEW: http://www.spreaker.com/user/talkingmetal/1on1-mitch-lafon-260-ricky-phillips-styx

In the show's only interview, Ricky Phillips of STYX discusses the band's LIVE AT THE ORLEANS ARENA LAS VEGAS DVD, their upcoming Las Vegas 'Renegades In The Fast Lane' residency with special guest Don Felder, Ronnie Montrose, Deen Castronovo, Bad English, working with Coverdale/Page and much more.

Quotes from the interview:

'Renegades In The Fast Lane' (time 7.14): "We don't want it to be just another show, so we're discussing that."

(time: 8.27): "It's going to be fun - whatever we end up doing with the set list."

Ronnie Montrose (time: 9.59): "He always gave everything he had and good, bad or ugly - he was honest. He was a crazy wacky talented motherfucker. He was just amazing and a dear dear friend. I miss him greatly."

Talk about Deen Castronovo and 'the big pocket' starts at 13.36...

Bad English talk starts 16.19 -

When told that Bad English should get back together he said... (time 20.20): "I'll go as far as to agree with you. It was an amazing band. Things happened quickly and easily for that band. We wrote songs quickly. We got songs recorded quickly. It was just easy to do. It was a great great combination of guys."

Coverdale/Page talk starts at (time: 21.46)...

(time 22.06): "It was never supposed to be the bass player. I came along to help them play bass and help construct songs that they were writing for the project."

(time 23.36): "As we worked on the music for about five months - we really developed this 'thing' that was pretty special... We would play those songs and it was recorded (of us rehearsing) to see if arrangements were working and gosh man - there was fricking oodles of magic in those recordings. It was just a great time."

What did he learn from David Coverdale & Jimmy Page (time: 25.44): "It solidified... I had already learned because I, with a fine tooth comb, gone over both those guys catalogs and gleened everything I could. It had already become a part of my DNA as a player."

Online: http://styxworld.com
Twitter: @STYXtheBand
Facebook: https://www.facebook.com/styxtheband
Spotify: https://play.spotify.com/artist/4salDzkGmfycRqNUbyBphh
YouTube: https://www.youtube.com/user/styxtheband

 

 
Wed
06
Jul

RICKY PHILLIPS Talks To Sleaze Roxx; MONTROSE & COVERDALE/PAGE

Artist: 
Categories: 
Podcasts & Radio
 
Follow the link to read Sleaze Roxx's interview with Styx bassist Ricky Phillips including details of the last recordings from Ronnie Montrose to be released.

http://sleazeroxx.com/interviews/ricky-phillips-of-styx-interview/

Credit: Ruben Mosqueda of Sleaze Roxx (sleazeroxx.com). Excerpts from the interview:

DETAILS ON LAST RECORDINGS FROM RONNIE MONTROSE ABOUT TO BE RELEASED

Ricky Phillips: I met Ronnie back in the early '80s through a producer friend of mine. He and Ronnie had done a project where it was just he and Ronnie on stage. It was extraordinary. It was probably overshooting for the average Joe. It was aimed for a higher brow musically. Ronnie had done the Montrose thing with Sammy [Hagar] and he had done Gamma which was a bit more 'proggy.' He wanted to do something new. If he had just stayed a rock guitarist, he have become a household name because he was so great at it. He is a guy that played those licks first and a lot of guys stole from him. I've been told this from guys I know that are in huge bands.

I went out to do shows with Ronnie along with Eric Singer [KISS, Alice Cooper, Badlands]. We had a few different singers. Ronnie loved the way we sounded and he was inspired to do another rock record. Eric, Ronnie and I went into the studio and laid down ten tracks. I started working with Styx and Eric resumed working with Alice and KISS back to back.

Right before I went on tour with Styx I received a call from Ronnie he said 'Listen I have an idea. I'm calling the record 10 by 10. We'll get 10 different singers, one for each song and we'll get this thing done.' I said 'That's a great idea Ronnie but we can't even think of one singer we like! How are we going to find 10?!' [laughs] He replied 'Listen I'll call Sammy [Hagar] and ask if he can do one. I'll call Edgar [Winter] and see if he can do another. I'll call people I know.' I didn't have the time to chase down people to sing on the album but he did. He got them and then some. He got Mark Farner [Grand Funk Railroad], Gregg Rolie [Journey, Santana], Eric Martin [Mr. Big] and David Pattison [Gamma]. I got Tommy Shaw on one of the tracks. It became this cool project that had this really cool band.

The record sounds cohesive. It's a very interesting record. We finally found a home for it. We're having some meetings with a label about it getting released and I hope we have this album released by the beginning of 2017.

I jumped ahead a little bit. When I say that we recorded the album; drums, bass and rhythm guitars were done. Ronnie passed before he could lay down guitar solos. I mixed the record so that Ronnie was very big in the record. It was his concept so I wanted to ensure that he was represented on this record. I wanted to bring in guys that Ronnie was into to come in and record the solos for the album. I didn't get everybody that I went after but I think all the right guys are on the record. There's a great mix of singers and guitarists on there. I have Glenn Hughes on a track with Phil Collen from Def Leppard playing the solo, Sammy Hagar featuring Steve Lukather [Toto]' Eric Martin, I paired up with Dave Meniketti [Y&T] and on and on. We have Joe Bonamassa on there too. I also have Brad Whitford who is the unsung hero to both Ronnie and I in Aerosmith. He's the dark horse in that band. I called him and he was honored to be a part of it. I can't wait for you to hear the track with Edgar Winter and Rick Derringer. It sounds like it was lifted right out of the '70s.

I'm excited for the album to come out. There's been a lot of blood, sweat and tears put into this album and a lot of love. I think Ronnie will be looking down on us smiling when it's released. It's pretty special.

WAS JIMMY PAGE WORKING WITH DAVID COVERDALE IN PAGE/PLANT JUST TO WORK WITH ROBERT PLANT?

Sleaze Roxx: And There's Coverdale/Page which you were a part of. I was looking at the RIAA page and the album achieved platinum status [1 million copies sold] in the United States. At the time, it was considered a 'flop' but it sold a million copies. It's a good record.

Ricky Phillips: It went platinum relatively quickly too. I learned a lot on that record from Jimmy [Page] and David [Coverdale] making that record about the business. John Kalodner, a behind the scenes record guy who has made a lot of careers happen, really believed in it. John knew it was a great combination. David [Coverdale] got a lot of flak for sounding like Robert Plant. You know when Jimmy [Page] starts playing, that's what you do! [laughs] That's what comes out of your voice. That's what needs to be done! [laughs] That's what David was doing. I think he did an incredible job. I have some recordings of us working on material. I think those are even better than the record because we're fishing for ideas. That's really honest, pure creation happening there and I happen to have those recorded.

As time went on, Jimmy bought a home in Florida and he was moving there. Then we moved the recording to Vancouver, BC, and people got sick' A lot of stuff started happening. We spent about five months working and putting that album together. I'm not making any excuses because I think we made a great record. When we were making the video ['Pride And Joy'] Jimmy pulled me aside and said 'I'm getting back together with Robert [Plant].' You know, there will always be those rumors that he worked with David just to get Robert to work with him. [laughs] I don't know that it's true. It makes me wonder. That's what I wondered at the time when he pulled me aside. That was the end of Coverdale/Page.

I had a blast hanging out with Jimmy. I was constantly asking him about The Yardbirds which is one of my favorite bands. Can you imagine a band that featured [Jeff] Beck, [Eric] Clapton and [Jimmy] Page at one time or another? He didn't seem to mind telling the stories. [laughs] On many levels, it was an interesting and educational time.
 
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