Alessandro Del Vecchio

Tue
04
Nov

REVOLUTION SAINTS Preview Tracks Show Huge Promise

Tuesday, November 4, 2014
Categories: 
News Feed
 
I’ve had the pleasure of hearing a little of the upcoming blockbuster REVOLUTION SAINTS album and I’m excited by what I’m hearing thus far.
 
The band of course features Deen Castronovo (Drums, Vocals), Jack Blades (Bass) and Doug Aldrich (Guitars). 
Follow their official Facebook page: https://www.facebook.com/RevolutionSaints
 
Turn Back Time is an uptempo melodic rock anthem with Deen and Jack sharing lead vocals and Doug riffing away. Nice solo and some blistering shredding at the end!
Very catchy and interestingly has its own personality – not necessarily Journey meets Night Ranger, although the style of both bands features within.
 
Back On My Trail is a fast moving rocker with a sharp guitar riff and some very Steve Perry-like vocals from Deen. Harmonies fill through the speakers and the song sticks in your head immediately.
There’s some nice progressive drum fills and a blazing solo mid-song that make this anything but predictable.
 
I tend to hold back on expectations on these superstar projects, but I’m getting more and more excited after hearing these tunes and think the expectations of this line-up producing something very special might just be on track!
 
Fri
24
Oct

Blades, Castronovo & Aldrich Project Gets Tagged REVOLUTION SAINTS

Friday, October 24, 2014
Categories: 
News Feed
 
 
Announcing.....Revolution SaintsDeen Castronovo (Drums, Vocals), Jack Blades(Bass) and Doug Aldrich (Guitars).
 
Follow their official Facebook page for more information and album updates:https://www.facebook.com/RevolutionSaints
 
Music COMING SOON!
 
The band has added one quick welcome message to their facebook page: "Welcome to the official Revolution Saints Facebook page! As you can see, we still have a TON of info to share with you regarding the upcoming album, which will be released in February 2015. Stay tuned as we reveal pictures, the album cover and most importantly, MUSIC in the coming weeks and months!"
 
 
 
Tue
05
Aug

MOONLAND feat. Lenna Kuurmaa (Pre-View)

Artist: 
Tuesday, August 5, 2014
Moonland is the debut AOR project for Estonian vocalist Lenna Kuurmaa, partnering here with producer Alessandro Del Vecchio (also appearing on keyboards, percussion, backing vocals).
 
This is a very pleasant traditional AOR album that’s going to appeal to all fans of female fronted AOR/melodic rock.
There’s nothing here we haven’t heard before, but it’s done very well and the catchy songs hold in your head for hours afterwards.
 
The equal balance of guitars and keyboards will delight old-school connoisseurs and songs like Open Your Heart, Poison Angel, When Love Is Gone and Over Me are impossible to ignore.
 
Anyone that’s enjoyed released by Robin Beck, Issa, Romeo’s Daughter and particularly Two Of A Kind are going to find strong appeal here!
 
The album is out worldwide September 19 via Frontiers Records.
 
 
Mon
16
Jun

L.R.S. - Down To The Core (Review)

information persons: 
section name: 
BOTTOM LINE
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I would class Down To The Core as a very safe album and one that very much stays true to the traditional definition of the genre it represents. But it is also one of the better examples of such, so I have no trouble embracing this. Yes, it could have been a little more adventurous, but what it delivers is super slick, super classy AOR and those vocals are just perfect! 

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SCORE
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94%
Label: 
Frontiers Records
Artist: 
Score: 
94
Monday, June 16, 2014
Categories: 
Reviews

This is one of the smoothest records I have heard in a long time. It's a very fine slice of mature, well-written and executed traditional AOR, featuring some of the finest people the genre has to offer. First it's a huge pleasure to hear the ear candy vocals of Tommy La Verdi back in the melodic game finally – it's been way too long for a guy with a voice born for this.

And Josh Ramos – one guitarist with an absolute natural affinity for this style of music – has also been underutilized in recent years. Drummer Mike Shotton is an inspired choice to drive the band's sound and his playing style gives the album a thumping beat and slightly progressive twist in several tunes.
The architect of the album is Alessandro Del Vecchio – layering the songs with keyboards as well as writing the bulk of the album's material (Shotton delivers two tracks on his own and Tommy co-writes on a few) – and delivering a stellar production of world class standard.
I was initially surprised at the pace of the album overall – it's a very ballad heavy selection of songs and quite mellow over what I expected. But the more I listened, the more the class of the songs took over and pace/style wasn't an issue.
In fact, looking back, quite a few of my favourite albums over the years have been very mellow and I'm now adding this one to the list. When the mood calls for it, some glossy, traditional AOR with perfect vocals and a laid back vibe is just what is called for.
Think Dare Out Of The Silence, Von Groove Test Of Faith, Magnum Sleepwalking – all very fine, albeit laid back, classy records.

What LRS deliver is a group of songs that everyone reading this is going to feel familiar with. There's the anthemic Journey styled feel good tracks such as the opening Our Love To Stay (which is equal to the tracks that opened the last two Journey albums), Never Surrender and Waiting For Love; then there are the slow wistful polished AOR of I Can Take You There, Almost Over You and the super smooth and ultra-classy Universal Cry; there is a couple of more upbeat and progressive AOR numbers in the brilliant Livin' 4 A Dream and the heavier Down To The Core.
Rounding out the record is the massive power ballads To Be Your Man and Not One Way To Give.
All throughout we get dramatic backing vocals, plenty of guitar fills and some tasteful solo and always those brilliant La Verdi vocals.

 
Wed
07
May

THREE LIONS - Three Lions (Review)

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section name: 
BOTTOM LINE
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The style mixes that of early Ten and perhaps a more 70s sounding British rock approach. The album sounds great and has a nice sound of its own. I do think that the tempo – especially mid to late album – drags a little and it could have used a couple of more tracks like the best track of the album, the opening Trouble In A Red Dress in place of a few fillers.

A very good start to a new chapter for the lads and I expect bigger and even better things from album number 2 in due course.

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SCORE
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89%
Produced By: 
Alessandro Del Vecchio
Running Time: 
57
Release Date: 
2014
Released: 
World
Musical Style: 
Melodic Hard Rock
Label: 
Frontiers Records
Artist: 
Score: 
89
Wednesday, May 7, 2014
Categories: 
Reviews

 

It's a career full-circle for guitarist Vinny Burns who returns to the melodic rock of his early days in Ten, as Three Lions makes their debut album available. Formed by Burns with fellow Ten alumni Greg Morgan and newcomer bassist/vocalist Nigel Bailey, the trio is set to make a mark.


Produced and assisted musically by Alessandro Del Vecchio, the album has a tight, crisp feel that is simply British melodic rock through and through. Vocalist Bailey is similar to Ten's Gary Hughes in that he doesn't have a big vocal range, but has a warm, likable tone that suits the style and the delivery here.


It's great to hear Vinny wailing again and the trio plays as if they have been a band unit for several years already. At 13 tracks and nearly an hour in length, it's a very long album that could have used a little editing, with a 2 or 3 fillers in play, but there's some superb melodic rock on offer too.


Highlights for the album are the obvious opener Trouble In A Red Dress; the organ driven anthem Just A Man; and the uptempo AOR of Holy Water.
There is also a few classy ballads - Winter Sun is a great starter and Two Hearts Beat As One is classic British AOR; Don't Let Me Fall and Made For One Another are also very good – the only downfall is the tracks come in a mid-album pace vacuum.
Magdalene finally picks up the tempo again and delivers another strong melodic rock tune. And Hellfire Highway is a fast rocker that could have been used a few tracks earlier.
Sicilian Kiss is a guitar instrumental to close the album with Vinny in full flight.
I'm not that sold on the fast moving Twisted Soul and Kathmandu is one too many mid-tempo tracks and I think the second half of the album suffers from too many slower paced songs.

 

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