Interviews

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Artist Title Link
Joe Lynn Turner Joe Lynn Turner (1998) Interviews
Glenn Hughes Glenn Hughes (1998( Interviews
Giant Giant - Dann Huff (1999) Interviews
Dann Huff Giant - Dann Huff (1999) Interviews
Jim Peterik Jim Peterik (1999) Interviews
John Waite John Waite (1999) Interviews
John Sykes John Sykes (1999) Interviews
Rubber Rubber - Harry Hess (1999) Interviews
Harry Hess Rubber - Harry Hess (1999) Interviews
James Christian James Christian (1999( Interviews
Steelhouse Lane Steelhouse Lane - Keith Slack (1999) Interviews
Keith Slack Steelhouse Lane - Keith Slack (1999) Interviews
Tom Cochrane Tom Cochrane (1999) Interviews
Jimi Jamison Jimi Jamison (2000) Interviews
Paul Shortino Paul Shortino - Jimmy Crespo (2000) Interviews
Jimmy Crespo Paul Shortino - Jimmy Crespo (2000) Interviews
Robin McAuley Robin McAuley (2000) Interviews
Toto Toto - David Paich (2000) Interviews
David Paich Toto - David Paich (2000) Interviews
Night Ranger Night Ranger - Jeff Watson (2000) Interviews
Jeff Watson Night Ranger - Jeff Watson (2000) Interviews
Styx Styx - Dennis De Young (2000) Interviews
Dennis De Young Styx - Dennis De Young (2000) Interviews
Hair Of The Dog Hair Of The Dog (2000) Interviews
Mitch Malloy Mitch Malloy Interviews
Johnny Gioeli Johnny Gioeli (2000) Interviews
David Coverdale David Coverdale (2000) Interviews
Journey Journey - Steve Augeri (2001) Interviews
Steve Augeri Journey - Steve Augeri (2001) Interviews
Journey Journey - Jonathan Cain (2001) Interviews
Jonathan Cain Journey - Jonathan Cain (2001) Interviews
Journey Journey - Neal Schon (2001) Interviews
Neal Schon Journey - Neal Schon (2001) Interviews
Giant Giant - David Huff (2001) Interviews
David Huff Giant - David Huff (2001) Interviews
Kelly Keagy Kelly Keagy (2001) Interviews

Pages

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Tue
07
Feb

Josh Ramos (2003)

Josh Ramos: Two Fires becomes one. Josh talks in detail about his great new AOR project Ramos. Hey Josh. Ok, here we go with some questions! First up - your saw my review, so you saw I really like the new album. Based on the albums you have been involved in previously, what was the game plan for the album before you hit the studio? I wanted to write songs, ideas that had been in my mind for some time, but I didn't want to use them with anyone else, I wanted to write the words and music for at least half of the CD. Sometimes it's hard when your in a project with someone else and you say to them, here's a song that I've written, it can cause friction, because the other person feels left out, or doesn't want to accept the fact that it's your vision, You have recorded and album that touches on your past, but also has a new sound in there too. Is this Josh Ramos asserting more of hi sown individual sound/style? Yes, I think so, a person needs to grow, and move in a different direction in order to find yourself, ...
 
Tue
07
Feb

Khymera (2003)

Khymera: A traditional AOR album featuring one of rock's great singers. Daniele Liverani - Khymera's musical director Daniele Liverani talks about the challenges of making the acclaimed album. Hi Daniele. First off, are you personally happy with the responses you have received back and the reviews you have read? Well, I must say that I've read great reviews about this Khymera album and of course I'm really excited about this! I'm especially very satisfied with the production and mix quality...I really hear everything well and in the right place in terms of sounds, balance, vocals...and this is very important to make a record sound good! Did you enjoy making the album? I enjoy a lot doing this Khymera, even if I didn't made the songwriting of these songs, I really did my best for making them sound very personal and original, staying of course into the AOR straight rock that this kind of songs were requiring. So it was not only a production, arrangement job for me. I definitely feel this album close to my sensibility since I put all my style and experience on its creation. I must say that it was very interesting to test my ...
 
Tue
07
Feb

Vinny Burns (2003)

Vinny Burns: A killer new album, a fresh melodic vibe and life outside of Ten. Hi Andrew. How are you. Hope that you are well. Hi Vinny. Great to see you at The Gods this year - how did you enjoy the show? I enjoyed it a lot. I love playing live and it seems like ages since I had played a gig. The venue was a great and it was a good crowd. And did you get the crowd reaction you had hoped for? I thought it was rather good considering the material was almost all new. It was weird doing a show with material that isn't yet released but the response was more than favourable. As long as we did not get bottled off we were happy. Seriously though, it was the first ever gig for this band so I thought we did a good job. People still spoke to us afterwards :-) Besides having a pint, what do you do to warm up before a show? Believe it or not, I don't really drink before we go on. I might walk on with a beer but that will be the first of the day. I make up ...
 
Tue
07
Feb

Harem Scarem (2003)

Hess and Harem: Harem Scarem's frontman Harry Hess talks solo, the early years and what's coming for Harem 2003.   The Solo Album Hi Harry….Why right now for your solo debut? It came down to having a bunch of songs that didn't fit the H.S direction, so it was really born out of that. How long did the album take to write and then record? I did it off and on for about a year but doing a lot of other tings in between. Does the end result match your expectations? Pretty much, there's always things you'd change listing back, but I can't complain. You write great pop songs, have you ever or will you ever, offer your catalogue of songs for license to pop artists looking for material? Funny you ask! I'm in the process of sending out material right now to some publishers and such. I'm very busy doing other bands and mixing that I never take advantage of having some of those songs. The solo style sees your love of good pop/rock and a little of the modern pop rock sound that Rubber was, will future solo albums be the soul outlet for this style, ...
 
Tue
07
Feb

Praying Mantis (2003)

Praying Mantis: The Journey continues for one of the UK's longest running hard rock acts.. Chris Troy talks about the band's new singers, new songs and dealing with life in 2003. Hi Chris…This album was recorded after the departure of vocalist Tony O'Hara. How did that originally come about? What were the circumstances leading up to his departure? It is quite a long story but basically like all singers, they get too big for their boots and eventually start making excessive demands. We really did try to salvage the band but I think when he moved from London to Birmingham the death knell was already sounding. Sometimes geography like that does make things very difficult. On top of that there was talk from him for the requirement for big money and the band got sick and tired of it ...it just was not worth the hassle. You have used the band members and two guest vocalists for the album - how was the process behind selecting those sings undertaken? Mainly because there is some history there. John worked with Dennis when he was in Lionheart a number of years ago and he told Tino and me what a great voice ...
 
Tue
07
Feb

Departure - Empire (2003)

Empire: Back for album number two - more great European hard rock. Rolf Munkes talks about the new album, new singer in Tony Martin and a couple of other projects he has on the go. Hi Rolf, the first Empire album was well received, were you happy with the way it turned out? Yeah, people liked it and it still doesn't hurt me when I hear it again (That's a good sign). I don't hear it often but after the release of Trading Souls I took a look back and heard it again and it was fine to hear it. We did a good job! As well we had releases in Japan and Russia. Lance King and Mark Boals were both used as vocalists - what was the reason they were both not used this time around? The main reason was that I wanted to be able to bring Empire on Tour after the release while watching my budget. It's a big distance and some things are a bit complicate to proceed. So I made that hard decision and looked for a European based singer. I must say that I enjoyed the new album and the factor of using only ...
 
Tue
07
Feb

40ft Ringo (2003)

40ft Ringo: One band that defines the nu-breed sound. Steve Brown - from Trixter to Soaked to this....The oldest "kid" in rock n roll finds an home for his much loved 40ft Ringo. Hi Steve, it's been a long road between releases - how does it feel to finally have this album out and in stores? Very happy.....it's been a long time coming. Let's go back a little....Trixter broke through when melodic rock was at it's peak. How was the roller coaster ride that was life on the road in the US heyday? It was every dream coming true daily. Everything I ever wanted out of music was happening. We had #1 videos, sold out tours and met most of my heroes. Oh yeah.....lot's of girls and we made some money.......he, he, he. Any particular story that stands out in your mind from that time? The 1st time we played the Meadowlands Arena in 1991 on the SCORPIONS TOUR. That was the dream from day one , to play our hometown arena. We did it and received our gold records that night. The Bon Jovi + TESLA guys were there to celebrate with us along with all of our ...
 
Tue
07
Feb

Brian McDonald (2003)

Brian McDonald: A new Voyage. Track By Track in detail - behind the songs that form the complex melodic pomp rock epic Voyage! "Voyage" Album Song Notes Intimate First, there is the obvious contradiction with the song title - no question that this is the opposite of an intimate ballad. The rhythmic energy matches the intent of the lyric of a soul yearning for another. In the verses this in the form of reflection (e.g. "Now I'm standing on the bridge looking across understanding, the place we use to come together when love wasn't so demanding ." etc. ) After the last chorus section ends, there is the sound of a single heart beating faster, then the music moves into an out section where the opening/verse chord progression is restated musically with more strength, urgency, and energy as the guitar lead harmonies and vocals move across shifting time signatures. Where You Are, Where I Am The first idea that came for this song was the line in the choruses "Don't let the world take this moment out of our hands . . . ") This sounded to me like something from an old Motown tune; people that heard the early rough idea of this ...
 
Tue
07
Feb

Drive She Said - Mark Mangold (2003)

Mark Mangold: American Tears to Drive She Said to The Sign and a new Freaky project. Mark Mangold runs through the new Drive She Said album, his love of working with the people he does and the new Magic Freak Society project. Ok Mark, thanks for taking the time out to be interrogated. There is much more to the man than just a keyboard player - how would you describe yourself? Mmm, I don't think I would actually. That's a hard one. Just another one of the 6 billion Universes living and breathing on this planet, and I must say I'm sure enjoying it. You are a songwriter by trade - could there possibly be a tougher trade to make a living from on the face of the earth? Soldier......But yes anything in the "arts" is subjective and hard and it often comes down to pleasing an "executive" before it even gets out there to the world. That has seriously stifled the making of music unfortunately. I know a lot of my readers are interested in the industry side of things and behind the scenes. In relation to your songs being adopted by same very high profile names such as ...
 
Tue
07
Feb

Departure (2003)

Departure: Mike Walsh feeling confortable in his musical role. Departure guitarist Mike Walsh talks about the band's new album and enlisting the talents of new singer Timothy Lewis. First up, congratulation son the new album, I like it best of all the Departure albums and the general reaction seems to be very favorable. First of all I am pleased that you are enjoying the new record. What were the circumstances that lead to Dave Baldwin not being available for this album? The situation w/ Dave Baldwin was a mutual separation that seemed to fit both of us. Musically, we each had differences that we could not ignore. Plus I was really looking for a sound more like the first record. The record labels at the time were really keen on getting the next record out and Dave was at the right place at the right time for us to do the record, so we did. And how did Timothy Lewis come into the picture? I received a tape of Tim from my label in England, he seemed to be what I was looking for in a singer so I phoned him up in Orlando, Florida and he flew to New ...
 
Tue
07
Feb

Artension (2003)

Artension: Another new discovery. Keyboard wiz Vitalij talks about the band's new album, and what else is keeping the composer very busy. Album number 2 after the re-union of sorts. How did things flow this time - even easier, or were there new pressures on the band? Well, things always get easier after you get more experienced in the field as well as in this case the recording process or song-writing process would be much easier to handle or deal with. However, there is always another they say (new thing) that we have to consider and learn and there are as well some things that get more difficult and challenging.. John West has an incredible voice - how do you rate his performance on this album? Great, we all try to get better and try to progress and that is showing in this new album where John as well as other members are showing the higher scales or ability. As a musician that has played around for several years, who do you rate as the best vocalist you have ever worked with? You know it's very hard to do--- to judge. I mean everyone is so different, for example: there are ...
 
Tue
07
Feb

Phantom's Opera (2003)

Phantom's Opera: Act IV sees a new voice behind the mike. Jack Young talks tracks, writing and replacing the very well known voice of the band for new album Act IV. The new album seems to see the band doing everything they always have done, but with a new twist. What was the thought behind the album when you got started in making it? After Following Dreams it was felt that we needed to recapture our dark side on the heavy end without being too progressive and no more personal stuff and keeping the themes more open...and that we should once again focus on the elements that comprised our sound signature. What were the circumstances that lead to singer Colie Brice leaving the band? Colie's set skills in the music arena are broad-based. His solo career was beginning to blossom. He not only required room to sing, but to also expand his songwriting and production contributions. It was his time. Terry Brock is obviously a classic melodic rock singer - how did his name get brought into the PO equation and did you shape any of the music to fit him, or did he do the shaping?! We went ...
 
Tue
07
Feb

Crush 40 (2003)

Crush40: A fresh name for a well known project. Japanese guitarist Jun Senoe runs through the new album compiling his work with Hardline singer Johnny Gioeli and guests Ted Poley and Tony Harnell. Jun, a previous release from you was available in Japan a few years back now, under the Sons Of Angels moniker. But this is album is a compilation of the rock vocal tracks from that album and some others recorded elsewhere isn't it? Yes, exactly. We released the album “SONS OF ANGELS / Thrill Of The Feel” from JVC for Japanese market in 2000. Where do the extra tracks come from? From the video game stuff. One came from the soundtrack of “SONIC ADVENTURE”, and the rest came from “SONIC ADVENTURE 2/ BATTLE”. Tell us the history behind the music itself - what was it recorded for and when? Ok… “Live & Learn” was written as a main theme of “SONIC ADVENTURE 2/ BATTLE” in 2001. Also “Escape From The City” is taken from the same game, and very popular with the videogame fans. From “Revvin' Up” to “All The Way” were written for the racing game called “NASCAR ARCADE”. The game was not so much popular especially in Europe though… And “...
 
Tue
07
Feb

On The Rise (2003)

On The Rise: A band well and truly rising in the AOR world. The duo that is On The Rise - Terje and Bennech talk about the construction of their debut album, which I hope will be acclaimed by many in 2003. First of all - congratulations on this fine album of yours. It's hard to believe it's your debut album. Thanks a lot Andrew. We appreciate your compliments. How did you achieve such a great production sound for this album? I used a lot of time developing my guitar sound to the songs and completed the arrangements at home before we started to record the album. Eirik Gronner came up with solutions to reinforce it and made a brilliant result by amplifying my guitars once more in the studio (Ravnaberg Studio). I was recording my own guitars at Bennech's place on a 16 tracks recorder and dropped in and out by the time I was finishing three or four songs. It all ended well and we completed the album with a mix where Eirik did the final adjustments that was needed to make it all sound really good. Naturally, the production is pointless if the songs stink - which thankfully is ...
 
Tue
07
Feb

Urban Tale (2003)

Urban Tale: A new band for our times. Urban Tale's Erkka talks about the challenges of being a new band in this musical era and of the challenges facing them while recording album #2. Ok, Erkka - let's go! Did the band feel any sort of pressure to perform after the great critical success of the debut album? I guess that there was some, but we believed in the new songs right from the beginning. And as we hit the studio, Theo (Anders Theander, our producer) came up with the finishing touches that were really cool too. It was actually easier to do the actual recordings this time, since we know Theo better now and vice versa. We worked together more closely on song tempos, feelings and such, and he really respects our opinions. Also, now he also knew how we play in the studio so it was much easier. During the production we noticed that the album was gonna be a bit different from the 1st one, and we also knew that it was gonna get varied responses from the critics. It´s great to get good reviews from the AOR/Melodic Rock media, but we're shooting for the mainstream ...
 
Tue
07
Feb

Tribute Albums (2002)

  Tribute Albums: How to...case study...Boston! I asked Escape Music boss Khalil Turk about their recent release A Tribute To Boston - just how does one go about setting up a tribute album and how was Escape's Tribute to Boston put together? What lead you decide on doing a Boston Tribute album? After recording a Foreigner tribute album Steve Morris and myself were very satisfied with the results, so I brought up the idea to Steve, “How about recording a Boston Tribute?” We have always been huge fans of this band since their debut, and Steve was very happy to do it. Were there any other artists in your mind to invite to participate? There were many artists in my mind, I had to be selective who to invite. I gathered many names of musicians, when I decided who to invite on the album, and send the invite out to all. They were all delighted to take part on this tribute, being in this business for such a long time, you meet and to know many different musicians from established names to beginners, and you have to be fair with all of them. So Boston is the band ...
 
Tue
07
Feb

Mark Boals (2002)

  Mark Boals: Busier than ever... Not content with just being a solo artist, Mark Boals also has his band Ring Of Fire. Between the two, there have been 3 albums this year and it looks like it's only going to get busier for the former Yngwie Malmsteen vocalist. So, it's been a while since we talked last, but you have been very busy! You have now established two band names - Mark Boals the solo artist and Ring Of Fire. What's the primary difference between the two? OK! With Mark Boals, I obviously get to do what I want, write what I want, work with new people, and in general, have a great time with the freedom of a being a solo artist, making up for years of artistic suppression!!! Haha! But seriously, I wanted to be able to do music that was more based around the melody, with a heavy sound that is a little progressive, and totally different from the neo-classic sound of Ring Of Fire. So many people have been asking me to do it for so long, and I wanted to do it for myself, so there it is! With Ring Of Fire, I have the ...
 
Tue
07
Feb

Genius - Daniele Liverani (2002)

xx   Daniele Liverani: The Genius behind the music. We have all heard rock opera's...we have also heard long rock opera's, but a Triple CD, released over three years? Sounds like an ambitious project. Just who is behind the Genius opera and hear the entire opera's story line. Let's go right back to the beginning. Can you tell us a little about your history as a musician? I started to play piano when I was a child (at 6) attending a local classical school that gave me all the theory and harmonic notions, then I self approached guitar at 16 (1987), applying it all the classical notions. I learned from classical piano experience. In 1993 (at 22) I won a national contest as Italian best guitar player and I won a paid trip and stage at GIT School in LA. I stayed there for a long period, attending lessons from many of the biggest guitar player of the scene...it was there that I put together the lineup to record the my first solo project album 'Viewpoint' that would have been published only later by Elevate records in 1999. I also studied bass at 24 and drums at 25, I always had a great love for both ...
 
Tue
07
Feb

Ted Poley: One Last Role Of The Dice (2002)

Singer Ted Poley has been around long enough that he's witnessed and seen first hand the ups and downs of the music industry. Are the recent down's enough to put him into retirement? And all about his new album with Gerhard Pichler - "Big". So Ted, here we are - why is this the last Poley-Pichler album? Well, that's a sad way to start out an interview! Actually, my friend, partner and guitar player of 3 years has gotten a big taste of the sad realities of the music business and has decided not to continue along this path in life, so he is heading home to his native Austria to pursue a more "fair" career and I don't blame him. I wish him the best of luck in whatever he ends up doing, he is very intelligent and will do well no matter what he chooses. We achieved a lot in just 3 years and I will miss working with him in the future, I hope to still keep our friendship going and I would love to keep doing some songwriting together but it will be harder because of the distance. Its a sad time for me. Since the team of ...
 
Tue
07
Feb

John West (2002)

G'Day John, Congratulations on a fine new solo record. Earth Maker is your third solo CD - how do you compare it to the other two? Quite different actually. A new line-up, heavier sounds. Lyrical concept album. Two questions there - how did you set about writing for the story within this CD and what drew you to this particular story line? I had it come to me in a dream. I have Native American background, so it is very important to me. How long did you work on the lyrics and the music for Earth Maker and also, how long did the recording take? The whole thing took about two years to do. The record, while retaining the concept, is quite musically diverse. You have classic rock, modern heavy metal and traditional hard rock elements, not to mention a couple of epic tracks! Do you have a preferred style for writing? I don't want to limit myself to any one style. That is the whole point in doing a solo album for me. What about the band featured on this release? How do you know the guys? I've met and worked with all of them in the past on ...
 
Tue
07
Feb

White Skull (2002)

Hi Tony, tell us all about the band, and the line up? Gus Adrian Gabarrò Vocals Tony Mad Fontò Guitar BB Nick Savio Guitar Fabio Pozzato Bass Alex Mantiero Drum About the story of the Band you can look in the home page: http://users.iol.it/white_skull How long have you been together? A lot of years, sometimes one member change for personal reason, but Me, Fabio and Alex are together since '90s. What is the best description for the musical style of White Skull? Power Metal! And no other discussion. Who did the artwork for the amazing CD cover? Diego Ferrarin, the same art-worker for all the White Skull's cover. He is a professional drawer. He have drawn a lot of cover for other some bands especially for the Underground Symphony's Band. First album ever bought? [Not answered] Biggest musical influence over career? Iron Maiden. What other bands have you played in? Grave Digger, Saxon, Overkill, UDO, Doro, Uriah Heep and more... a lot of experience with other bands. Last album bought and what is on your current playlist? The last is HALFORD Crucible, on the play list the best is Iron Maiden The Number of ...
 
Tue
07
Feb

Lost Weekend (2002)

A 20 Questions Interview with Lost Weekend vocalist Paul Uttley. For those that don't know, tell us all about the band, and the line up? We are one of the UK's leading AOR hard rock bands. The line-up is: Paul Uttley - lead vocalist; David Thompson - lead guitar; Robin Patchett - bass guitar; Jack Himsworth - drums; Irvin Parratt - keyboards. How long have you been together now? The band has been together, except for our new keyboard player for eight years. What is the best description for the musical style of Lost Weekend? Catchy heavy riffs with strong melodic vocal lines. Who did the artwork for the killer CD cover? The artwork was created by Sebastian Kozak, he has done all our album covers, plus created our logo. We never interfere, just leave Seb to it and he always comes up with fantastic ideas. We are always over the moon with what he comes up with for the band. First album ever bought? Rainbow "Live On Stage" Biggest musical influence over career? Dio is still one of the finest singers ever to grace the rock arena, Coverdale, Paul Rodgers. The list is endless, there are stacks of great singers ...
 
Tue
07
Feb

A 20 Questions interview with Northiwnd's guitarist Chris in France (2002)

G'Day Chris! Tell us all about the band, and the line up? Based in the North of France 'Charleville Mezizères'near Belgium, Northwind is Franck - vocals, Gilles - bass, Nico - Keyboards, Yannick - drums and me guitars. How long have you been together? I started with Franck the band on the summer 2000,the actual line up was drafted in september 2001. What is the best description for the musical style of Northwind? I think Northwind play melodic Heavy Metal mixing old and new influences. Who did the artwork for the CD cover? The artwork was made by Mathiew Bennett, based on a idea from Phil Igram from England. First album ever bought? I think it was Lovedrive by Scorpions. After some AC-DC, Saxon, Motorhead, Van Halen....... Biggest musical influence over career? My favorite band will be forever Thin Lizzy, many melodic bands like UFO, Pretty maids, TNT, Ozzy........and lately Stratovarius. What other bands have you played in? Many unknown local bands, in solo and the last one was a French Metal band call Heavenly (Noise Records). Last album bought and what is on your current playlist? The last album I bought is Thunderstone, Ozzy 'live at Budokan', on ...
 
Tue
07
Feb

Vicious Mary - Keyboardist Sean Henerson (2002)

G'Day Sean, how long has the process of getting this album recorded until now been? Well, we started to write the songs 2 years ago,but some ideas were even previous. Part of the material comes from old Eldritch unreleased stuff and the rest came from some songs I wrote with the piano which weren't good for “Reverse”. After the recordings of Eldritch's album we sat down and finished our demo that fastly gave us a deal with Frontiers Records. In July last year we recorded it. Let me give you a chance to introduce Vicious Mary to anyone who hasn't heard of you, or heard the music yet. Vicious Mary is a band create by me and Terence for a simple reason. We love A.O.R music and we wanna play it!!!! We always had the passion for this music but of course we couldn't play it with Eldritch. Vicious Mary is a project that may sound like Whitesnake, Dokken, Harem Scarem, Bon Jovi, Europe, but even something like Queensryche. You are Terrence are also in the popular progressive band ELDRITCH. Why did you feel the need to record under a different style of music? Eldritch is no longer ...
 
Tue
07
Feb

Sammy Hagar (2002)

WMMS Cleveland - Interview by Matt. Van Halen, in particular, the Hagar era, has always been a religion for me. All of my very best friendships in this world, were started around musical discussion that led us to discover that “5150” was definitely our favorite album ever recorded, and when it came to live videos, there was definitely nothing that could touch our well worn copies of “Live Without A Net”. Any TRUE Van Halen fan knows that the Hagar and Roth eras are two very separate periods of time, and one, does not mix with the other……or does it? In what could be a possible sign of the apocalypse, Sammy Hagar and David Lee Roth have united for a tour this summer, and the tour opens right here in Cleveland, on Wednesday, May 29th. I had an opportunity to catch up with Sammy and discuss many things on a Friday afternoon, and here is just a bit of what the Red Rocker had to say! MBL – You guys have said some pretty colorful stuff about each other in the past. How is it in 2002 that you guys are touring together? SAMMY HAGAR (SH) – First of all, Dave said a ...
 
Tue
07
Feb

Talon - John Parker (2002)

  Talon John Parker Interview.   Hey John! Congrats on the album. Hey Andrew, thanks !! Good to speak to you. So John, the Talon album is just a couple of weeks away from release - how long has the process of getting this thing started until now been? We started dialog with Now and Then back in August, 1999 !! We signed in April, 2000 and started setting up Studio, Producer, Songs, etc. Over the next year or so the Producer and Studio options for one reason or another had to be changed. Also, we changed Vocalists and recorded even more demos for final cutdown on the CD. We finally choose Los Angeles and Mikey Davis as the best "fit" and starting Tracking in November of last year. It has been a long road to this point, but we believed in waiting for the best opportunity to do the best CD possible !! Absolutley….Did you ever doubt you would get to this point? A couple times earlier last year we had some doubts, but always looked ahead to the big picture - that kept us on track and in focus. Have you had much feedback so far and are you happy with those ...
 
Tue
07
Feb

The Cage (2002)

The Cage Dario Mollo Speaks... Hi Dario, congratulations on a fine album. Thank you very much for the fantastic review, I'm really glad that you enjoy the album. Yes, I did. Firstly, you recorded the debut Cage record and left Tony Martin to record with the great Glenn Hughes on Voodoo Hill. What circumstances arose to allow you to again hook up with Tony for The Cage 2? Tony is one of the best singer in the world and he's my friend, for me it was a natural choice to work with him again.   Did you have a pre-established plan with this album? Yes I had a plan to work with Tony again and the music was constructed before we got together. I ask that as I noticed that The Cage 2 is a true partnership between you and Tony, as you wrote all the songs together. Yes this is true in one sense, because although the music was written previously but then Tony received the songs at his home and adjusted them so that the vocals would work with the tracks. We work so well together that we trust each other to make the songs work even if we are ...
 
Tue
07
Feb

21 Guns (2002)

So Lief, it's great to hook up with you, how are things? "All is well here in Oslo. I have just built a new studio that is totally happening. So I have all of my "Toys" in place" 21 Guns became a much loved band after the debut album was released. But I feel that the sales and promotion of the album weren't what they could have been - the album was so strong, it seemed criminal it did not sell 5 million units! "I couldn't agree with you more! The record business is a funny and fragile thing. There are too many people in high places who are insecure and have a habit of hiding their heads up their asses!" How many did it sell worldwide? "Good question!!! I still don't know myself. What I do know is that the albums we did sell were sold to the right people. I meet people all the time that say the album never left their CD player... That makes me warm inside" What went wrong in the promotion of it, or was it a victim of the grunge revolution? "I think a lot of bands were effected by the "Grunge scene" It was ...
 
Tue
07
Feb

Push (2002)

xx So Martin, it's been an interesting 12 months or so, how are things with you right now? Oh yeah... Things went from good to bad to worse to fantastic! It's been a year of ups and downs for sure. Pleased to get this album finished and released? Very pleased. I can't wait for people's reactions. I don't want to go over old ground, or get too personal, but can you explain what happened when you decided to leave the band at one point last year? Well, I never left. We were trying to make the band work with a (once again) new lineup, but things weren't happening. We never found a good rythm and I felt that most of the duties were on my shoulders. When I formed the band in '94 I wanted it to be a platform for my ideas and my music. I wanna make music, I don't wanna argue with people so I decided it was time for me to record a solo album instead and put PUSH on a shelve for a while. However, the fan reaction blew me away. People wanted me to continue the band and I realised that was what I had ...
 
Tue
07
Feb

Harem Scarem - PART 1 - Pete Lesperance (2002)

Thanks Pete for hooking up with me for this interview. First up - when was the first time you considered bringing back the Harem Scarem name? After we finished our deal with Warner we were checking out our options and both fans and labels we were talking to seemed interested in another HS record so we tried some stuff in that vein and decided that that is what we would do. What kind of frustrations lead you to drop the name in the first place? There was a stigma attached to the name in Canada and we thought the music had gone far enough from HS to warrant the name change. In hindsight, were the Rubber albums good for you and Harry mentally? Absolutely ... I still feel that the first Rubber record is some of the best work we have done. And we were somewhat vindicated by having a top 40 hit in Canada with Sunshine. Were they successful for commercially, in comparison to HS? In Canada we had more luck with Rubber but it seemed to throw some of our Japanese and European fans for a loop. Back to the point...haha...so you decided to bring Harem back and ...
 
Tue
07
Feb

Pulse (2002)

Ok Vince, thanks for taking time out to answer some questions about the new British AOR band Pulse. For those that don't know the band yet, can you run down the line-up of the band. Simon Abbotts-vocals Lynch Radinsky-drums+vocals Andy Mills-bass+vocals Rob Wood-keyboards and myself, Vince As a prelude for those that might be interested in hearing/buying the album, how can you best describe and compare the band's sound? I would describe the bands sound as ballsy but very melodic AOR, it's hard for me to say who we sound like so will leave that up to you. How long have you been together as a band? Simon and myself have been writing songs together for over 10 years but the band was only put together last June. Now your name of course, might be more familiar than most, as you have been in Bob Catley's live band for a few years now. How has that experience been for you? Playing in Bob's band has been an incredible experience, lots of new faces, lots of new places. I can't wait till he tours again. Has playing with Bob helped craft your sound in any way? Yes definitely, I ...
 
Tue
07
Feb

Two Fires - Kevin Chalfant (2002)

33   G'Day Kevin, Ok mate, here goes with some interview questions. First up - Two Fires' new album Ignition is due out in a couple of weeks. Here's your chance to pitch to the fans why they need to buy this record! Ignition sees you team with Josh Ramos again, a long time buddy - you two have a great chemistry together, how has this developed since you first teamed with him on the first Storm album? Actually, Josh and teamed up before the Storm. We did many recordings together starting with TheVU. Our relationship is like any other band or family. We make great music together, but do not always see eye to eye...he is much taller than I am :^) At what point did you two decide to start a project again together? I had been having conversations with Frontiers. They asked me to make a CD for them. I called Josh and asked him if he would play on it. He was as frustrated with The Storm parked in dry dock as I was. We were back in the musical swamp together. How do you carry out the recording process? I know you have your own studio ...
 
Tue
07
Feb

Michael Bormann (2002)

So Mike, in 2002 we will see your lead vocals on 3 different releases for three different labels - congratulations - that's pretty impressive! Jaded Heart, Rain and of course your cool solo album for Z Records... Is it a reality for a full time melodic rock musician in 2002 to have to seek other avenues to record and earn money, outside their main gig? No, not really! My solo thing I have been pushing from year to year aside. This was planed for soooo many years. I recorded most of the tracks already 2 years ago. Rain was more or less a coincidence. I met the guys summer ´97 on Rhodes, where I sing every summer for a couple of weeks, and we recorded over the last 4 years this album. So all in all in was a coincidence that all those albums come out the same time. The different companies, because each of them was interested in the particular thing, that they have signed in the end! Just purely for the love of the craft then? You know, I´m what you call a fullblood musician. I write and record constantly. I do love it. This is my life. But I must admit, that ...
 
Tue
07
Feb

Silent Rage's Jesse Damon

  SO IT'S 2002 AND SILENT RAGE IS STILL A RECORDING ROCK GROUP! WOULD YOU HAVE EVER BELIEVED THAT YEARS AGO? Yes, because my experiences as a Recording Artist have been positive, and memorable. You don't always know what the future holds, but back then I knew that the music was such, a driving force for us, that we would be involved in it for the rest of our lives… HAS THE BAND BEEN IN HIATUS – MAKING THIS A FULL COMEBACK, OR HAVE YOU BEEN OCCASIONALLY GETTING TOGETHER IN CALIFORNIA? Yes the band had been on an extended hiatus, and this comeback brings a renewed desire! Occasionally Silent Rage would appear and perform a few songs at some LA clubs. YOU OBVIOUSLY KEPT IN CONTACT WITH THE REST OF THE GUYS? Yeah, we'd get together and socialize, you know, birthdays, holidays, some concerts, and even a cruise. Every Christmas Holiday, we throw our annual Silent Rage Christmas Party. WAS ANY OF YOU AT ALL HESITANT TO MAKE THIS COMMITMENT TO RECORD AGAIN? We all had questions, and concerns to hash out, and there were plenty of meetings to talk about our different schedules, and all the logistics involved, but when this ...
 
Tue
07
Feb

Tony Mills (2002)

  Tony, congratulations on the solo album - the record sounds great. Why a solo album now? The album was recorded over a period of years in several sessions around the UK between 1990 and 1995. After I left SHY in 1990 I had serious intentions to become a solo artist, but through various management issues, it didn't really take off, and I ended up forming and working with SIAM until 1996. This material would have been the basis for the launch of a possible solo career. I had forgotten all about it until recently I put a studio in my house and the tapes were found in a flight case that had been stored. This was discovered whilst I was setting the studio up. Z records were interested and hey presto ! The solo album is obviously in place of the Shy album you have been working on for a while now. Can you share any of the frustrations of the recording process with us? Trying to work together with people that you don't regularly stay in contact with can be a real problem. Every one has a very different life of their own these days; much has changed since we used to live ...
 
Tue
07
Feb

Royal Hunt - Andre Andersen (2002)

It seems like Royal Hunt has been around forever! You have several albums now, but only from 1993, with your debut. Does it feel longer to you? I never thought about it. I have been writing/recording/performing music all my life, so it has been my natural environment for many years. Has the music of Royal Hunt progressed in the way you set out for them to do? All the way and we are still doing it. Every single album is a new experiment, strictly kept under the Royal Hunt roof new ways to express ourselves without loosing our signature, key elements. I'd like to ask you about song writing.....You are the primary songwriter for Royal Hunt - do you find the pressure to come up with new music a challenge or a bit of pressure on you? Challenge every time, pressure never (except for occasional deadlines here and there). The music of Royal Hunt has always been ambitious - never standing still and always trying something new - how do the concepts for each album come to you? Accidentally it could be a book, a movie or even a phrase you'll pick up at some point it will ...
 

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