Interviews

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Artist Title Link
Loverboy Loverboy - Mike Reno (2001) Interviews
Mike Reno Loverboy - Mike Reno (2001) Interviews
Queensryche Queensryche - Geoff Tate (2001) Interviews
Geoff Tate Queensryche - Geoff Tate (2001) Interviews
Eric Bazilion Eric Bazilion (2001) Interviews
John Waite John Waite (2002) Interviews
Glenn Hughes Glenn Hughes (2002) Interviews
Mecca Mecca - David Hungate (2002) Interviews
David Hungate Mecca - David Hungate (2002) Interviews
Mecca Mecca - Mike Aquino (2002) Interviews
Mike Aquino Mecca - Mike Aquino (2002) Interviews
Mecca Mecca - Thom Griffin (2002) Interviews
Thom Griffin Mecca - Thom Griffin (2002) Interviews
Mecca Mecca - Fergie Frederiksen (2002) Interviews
Fergie Frederiksen Mecca - Fergie Frederiksen (2002) Interviews
Mecca Mecca - Jim Peterik (2002) Interviews
Jim Peterik Mecca - Jim Peterik (2002) Interviews
Mecca Mecca - Joe Vana (2002) Interviews
Joe Vana Mecca - Joe Vana (2002) Interviews
Johnny Gioeli Johnny Gioeli - Hardline (2002) Interviews
Hardline Johnny Gioeli - Hardline (2002) Interviews
Jack Russell Jack Russell (2002) Interviews
John Kalodner A&R Guru John Kalodner (2002) Interviews
Tony Harnell Tony Harnell (2002) Interviews
Jeff Scott Soto Jeff Scott Soto (2002) Interviews
Unruly Child Unruly Child (2002) Interviews
The Insider Interview The Insider Interview Interviews
Glenn Hughes Glenn Hughes (2003) Interviews
Brian McDonald Brian McDonald (2003) Interviews
Gary Hughes Gary Hughes (2003) Interviews
Gregg Fulkerson Gregg Fulkerson (2003) Interviews
Harem Scarem Harem Scarem (2003) Interviews
Pride Of Lions Pride Of Lions (2003) Interviews
Duran Duran Duran Duran (2003) Interviews
Ricky Phillips Ricky Phillips (2003) Interviews
Bret Michaels Bret Michaels (2004) Interviews

Pages

  • 4 (1)
  • A (3)
  • B (16)
  • C (8)
  • D (26)
  • E (4)
  • F (4)
  • G (20)
  • H (17)
  • I (1)
  • J (50)
  • K (11)
  • L (7)
  • M (26)
  • N (8)
  • O (2)
  • P (13)
  • Q (2)
  • R (19)
  • S (36)
  • T (23)
  • U (3)
  • V (2)
  • W (2)
  • Z (1)
Tue
07
Feb

Ring Of Fire - Mark Boals (2002)

  So Mark, Ring Of Fire the band name stared off as a solo follow up to your debut...what made it feel right to re-name it a band project? I really felt I wanted it to be more than just a solo project, because it was such fun working with these guys, and I wanted to make it a permanent situation. Musically, Ring Of Fire contains just about everything the melodic metal fan could wish for! What was the master plan heading into the writing of this release? Well, we wanted to take everything to the next level, of course, in every way possible. My personal view is that drummer Virgil Donati is a legend. You certainly put him to work with those double kick drums and speed loops!! haha Did you enjoying working with the boy from Oz? Virgil is a great friend of mine, and also my favorite drummer!!!! He is a monster!!! How do you view this musically in relation to the debut solo CD? Like I said above, I think it's one step beyond that. It's an extension of the work we started, and as we work together more closely in the future, touring, and ...
 
Tue
07
Feb

Robert Fleischman (2002)

Robert Fleischman: Back to active duty. Former Vinnie Vincent and one time Journey singer Robert Fleischman is back with a new solo album - only his second in 20 years! Congratulations on the album - it's nice to hear you back behind the mike again. Why so long between drinks for you? Thank you. Music is so different here in the U.S. They want you to start out in the womb to be the next Bob Dylan or Madonna. I think in Europe people like Artists; whereas, the U.S. is into “fast-food” music of the day. So I took other musical roads. What has Robert Fleischman been doing to keep busy the last few years? I have been doing music for TV, Film, and Commercials. I'm heavily into Electronic Music, Painting, my family, and I write almost every day. I have recorded several albums all different from the others; hopefully to be released in the future—possibly on my website. World In Your Eyes contains some fine melodic songs - what time frame where these songs written in? Within the last year. Several are co-written with guitarist Josh Ramos - how did you two come to work together? Frontier ...
 
Tue
07
Feb

TNT - Tony Harnell

xx Tony Harnell: From Cyberdreamer to TNT Singer Tony Harnell worked harder than ever to make the new Westworld a very melodic album and the results have paid off handsomely. It's easily their best album to date and the following interview dissects the album and Tony's thoughts on it. Tony, there are not too many bands these days that get to album No 3 so you must be pleased at that? It was a lot of work getting this one together and getting all the labels sorted out. We were sort of under the guise or whatever you want to call it of this guy in New York for the first two records. It was this character Jeff Allen who manages Riot He had started this little record company and he had friends, Kase Wessel was one of his good friends from Roadrunner so he put that whole thing together and basically hired all of us. We got fees. I thought the guy was kind of a jerk, I mean he's ok he put up the money and everything but I just kinda decided it would be so much better if we could gain control. Even if it meant taking a ...
 
Tue
07
Feb

Sons Of Angels - Solli (2001)

Hey Solli, Thanks for answering some questions for me… I'll start with you back in 1990 when Sons Of Angels first hit the scene. You are obviously a European band, but how did you come to be signed to Atlantic USA? The signing basically came out of a 10 day trip to LA with a demo, we call it the gold digger-trip!! We only had one name in our pocket when we came to LA but the response we got was so immediate and overwhelming that it seemed like everyone who heard it called everyone they knew! After one week, there was a rumour in the record-business in LA saying "There's three Norwegians in town with a tape that burns"!! This is the plain truth, so you can imagine that was a fantastic experience. We figured that the really interested labels would come to Oslo and see us live so we put up a gig in Oslo and MCA, Atlantic and Warner came. MCA were represented by the president himself, Al Teller, together with 3 people from other territories! The people from the Norwegian record-industry who attended the show were stunned when they saw who was there. You certainly looked American - how ...
 
Tue
07
Feb

Humanimal - Pontus Norgren (2001)

PONTUS NORGREN xx Pontus, you have been involved in just about every aspect of the rock scene in Sweden. What part do you enjoy most - producer, engineer, guitarist, live performer, song writer...? - I have to say everything! Guitar playing I have to say is still closest to my heart, but what can you say when you get offered to do sound for bands like Thin Lizzy, Y.J. Malmsteen etc. Also traveling around the world gets you to meet a lot of people in the same business. The last few years have seen you release several projects under several different names, including a solo release, how do you see Humanimal fitting into all of that? - I see Humanimal as a good opportunity to take my guitar playing/song writhing to a different level, and I think I can back it up with just saying, Listen to the album! I guess what I mean is will Humanimal be an ongoing concern - more records and maybe some live appearances? -There will for sure be a second Humanimal album! We are more than ready to play live, but it depends on the backup from our label if they think ...
 
Tue
07
Feb

Vaughn - Danny Vaughn (2001)

DANNY VAUGHN mm   Good to talk to you again Danny, how are things in your part of the world, post Sept. 11. Everyone's Ok I hope? There were some worries initially as Michael and I both have some friends and family in the Police, Fire Dept., and medical professions, but we have been fortunate in that respect. Things are still very strange over here. Lots of paranoia and tension. But I guess we have joined much of the rest of the world in that respect. The second Vaughn album was released just prior to that unfortunate date - has this set back the sales and/or promotion of the album in any way? Over shadowed it as such? I'm sure that it has affected things but it seems like such a small worry compared to everything else. I'm hoping that this acoustic solo tour I'm going to do in February will get my head back on music by reconnecting with my friends. To anyone that hasn't bought the album yet - what can you say to convince them to take a look at it? I of course, can't recommend it highly enough!! Ummmm... it's got a really pretty girl on ...
 
Tue
07
Feb

Skin Tag - Jimmy & Charlie (2001)

Skin Tag – Part One: Jimmy Lawrence   Thanks Jimmy for taking the time to talk about your new band Skin Tag! Sure Andrew, no problem, you were always very supportive of me, ....I appreciate that!!!!   Jimmy, you previously made your debut with a record that took several years to see the light of day, with the excellent melodic rock album The World Is Round, thru MTM Music. Yeah, every dog has it's day!   Was it frustrating for you to see that album be released and then have further label problems getting a second album recorded? I don’t know if frustrating is the right word. I am pretty numb from the dysfunction of the music biz.....It's kinda like that drunk uncle you see at the holidays. You don't really look forward to seeing him but you know you have to at some point. You try not to get too upset or pissed when he screws up because after all he's a drunk. That's how I view the music biz.....one big drunk fucking uncle. You can't begin to try to figure it out. It will only frustrate you and make you crazy. Thankfully, I don't need it ...
 
Tue
07
Feb

Ten - Gary Hughes (2001)

G A R Y H U G H E S Talking Ten, Bob Catley, Solo, Hugo, King Arthur and more...     xxxx   G'Day Gary, I hope you have a few minutes spare to type out some answers to the following questions. Thanks in advance for taking part! First, let's go to the new Ten album Far Beyond The World. This is obviously another collection of songs to add to the Ten legacy and you have written a lot of material over the years. What did you have in mind when writing for this album? We just felt it was time to return to our melodic roots for a while. The new album is basically an album of love songs. I suppose that would be the thread if any. I have gone for the commercial elements this time and I am very pleased with the material on the new album. You write for yourself, Ten and other artists - do you set aside a time frame to write for each one, or write constantly, assigning songs as you see them fitting those other artists or yourself? I write constantly. But when a particular project is imminent I put a ...
 
Tue
07
Feb

Dreamtide - Helge Engelke (2001)

Helge Engelke T h e Dreamtide I n t e r v i e w     xx   To the outsider, it seemed Fair Warning were on a roll in recent years, with both Japanese and European deals in place, plus some successful recordings behind you. At what point did it seem there was some unhappiness within the band? We started out in 1990 as a five piece band. In 1995 Andy became seriously ill and it took him more than two years to recover. During that time Andy didn't have much input in FW. Even after Andy got better, his interest in FW seemed to have ceased. After the recordings for "Go", the original drummer CC left. In 1997 we toured to promote the "Go" album. Due to his physical condition Andy could not play all of the set and we had a guest guitarist (Henny Wolter). Most of the set was played by Henny and Andy joined for the last three songs of the concerts. On top of this we had a new drummer (Phillippe Candas) who, even though being a great drummer, proved to be not the perfect match for FW because of personal animosities after a second tour ...
 
Tue
07
Feb

Dreamtide - Helge Engelke (2001)

Helge Engelke T h e Dreamtide I n t e r v i e w     xx   To the outsider, it seemed Fair Warning were on a roll in recent years, with both Japanese and European deals in place, plus some successful recordings behind you. At what point did it seem there was some unhappiness within the band? We started out in 1990 as a five piece band. In 1995 Andy became seriously ill and it took him more than two years to recover. During that time Andy didn't have much input in FW. Even after Andy got better, his interest in FW seemed to have ceased. After the recordings for "Go", the original drummer CC left. In 1997 we toured to promote the "Go" album. Due to his physical condition Andy could not play all of the set and we had a guest guitarist (Henny Wolter). Most of the set was played by Henny and Andy joined for the last three songs of the concerts. On top of this we had a new drummer (Phillippe Candas) who, even though being a great drummer, proved to be not the perfect match for FW because of personal animosities after a second tour ...
 
Tue
07
Feb

Under Suspicion (2001)

. AOR Heaven . NEH Records . Z-Roxx . Destiny Records . Loud 1 . Hot Tracks . Groove Machine . Target Records .         UNDER SUSPICION Under Suspicion THE UNDER SUSPICION melodicrock INTERVIEW! Under Suspicion are the new band on the block, featuring a bunch of guys that have already been around the block and back again. Their debut album is one of the brighter new comers for the year and is fueled with their own brand of trans-Atlantic fuelled AOR. In the hot seat is drummer/keyboard player Klay Shroedel. So Klay, most readers at this stage will know you guys as Jimi Jamison's 'backing band' on his Empires release. But the truth be told - you guys were more than that - you were collaborators for the project. I'd like to start by asking how you originally hooked up with Jimi's Survivor? The record company had contracted me to see if I was interested to produce what then was Jimi Jamison's Survivor together with my long time friend Michael Sembello. I spoke to Mike and we said "hell yeah". Were you a part of his band before the record deal was signed? I wasn't at all. I met Jimi in L.A. for the ...
 
Tue
07
Feb

Nelson - Gunner Nelson (2001)

GUNNER NELSON - The Nelson Interview       So back to the start of the Nelson legacy, at what point did you put the band together? Well, we actually started putting the band together when we met Bobby Rock. Bobby was sitting behind us at the American Music Awards one year and he was sitting with the guys from the Vinnie Vincent Invasion, they were a bunch of nice dudes, but I guess that band was gonna break up in six months, Bobby wasn't aware of that. And we met him there and kinda just kept in touch and when it came time for us to put our band together, about 8 months later, Bobby was the first guy we called and basically everybody else was word of mouth. Joey Cathcart was a guy we played in high school bands with. Brett Garsed was a guy that our manager from Australia turned us on to. He (our manager) came back from a tour of Australia freaking out about this unknown guitar player he had just seen with John Farnham. So we got a video tape of Brett, we talked to him on the phone and we sent for him and ...
 
Tue
07
Feb

Kharma - Goran Edman (2000)

Goran Edman The Interview (Kharma, Reingold, Street Talk, Yngwie Malmsteen, Brazen Abbot, Glory & John Norum) Goran, you have a fantastic resume these days, covering some very memorable projects over 16 years now. But on your latest release Kharma I think you put in your best vocal performance ever. I totally agree. It is difficult to explain , from the beginning it was just meant to be another project requested by Magnus Soderqvist on MTM. I felt very skeptic about doing songs out of a 10-year-old demo but when I heard the new material I started to feel the potential of the band. Atilla is an outstanding songwriter and from the hard work and all confrontations a friendship developed that also contributed to the final result of the production. The chemistry in the band is easily underestimated I think. It was also a privilege to be able to work in a high tech top class studio such as Dragan's Bohus Sound Recordings. The pre production of the vocal arrangements became the final master and the result felt very spontaneous when we did not have to deal with the magic demo syndrome. Kharma's musical orientation was very similar to my own preferences I ...
 
Tue
07
Feb

Tommy Farese (2000)

      Tommy Farese Rock Superstars Interview               So how did the whole concept get started? Who's idea was it for these tribute albums? Al was doing records for Blue Dolphin for a while, he basically knows more about how the concept got started then I'll ever know. One day I got a call to come bail him out on one of these record's, Volume 1, because Joe Lynn Turner & TM Stevens had backed out on him, and I was called to do clean up. When blue dolphin caught wind that the two big name's back out, they demanded the record be handed in immediately, which left about an hour and a half to sing all the song's on that record, not to mention, mixing was not an option. When was the first time you heard of Blue Dolphin Records and how did they pitch their deal to you guys? First time I heard of them, was when Al Pitrelli called for Volume one. Al & I did a record year's ago for POLYGRAM in Japan (A Place called Rage). but I had never heard of Blue Dolphin before that. So from what ...
 
Tue
07
Feb

Two Fires - Kevin Chalfant (2000)

Interview with Two Fires vocalist Kevin Chalfant - May 2000. TWO FIRES: OK Kevin....On the verge of the album's release, how do you rank this record among the others that you have participated on? There are things that I like and dislike about everything that I have recorded. I rate this very high on the list. I am very pleased with the songs, the players, the performances, the sound. I compare it with the debut Storm CD. That is what I gauged this Two Fires with. You and Josh have a partnership that goes back several years now. Did you guys do anything different in the recording process this time around, or did you just pick up where you normally would? Josh and met in 1983 on a recording that I was doing at Prairie Sun Recorders. We just fit together in music. This album is pure AOR. It seems to me that it was recorded with the die-hard fan in mind. Was that the aim of the record, or what was your vision going into this? Yes, this is a fan record. If you don't have your fans, you don't sell records, you don't tour, you don't have any fun. ...
 
Tue
07
Feb

Steve West & Bruno Ravel - Danger Danger (2000)

DANGER DANGER PART ONE Steve West Let's go to the Danger Danger album first - when you started recording this album, did you anticipate it taking this long? No. With us, it takes as long as it takes. We're never quick at anything. What did you and the guys have in mind when writing and recording this album? Was there a set goal? There was a little pressure because 'Four' was received better than we had expected. We rarely got great reviews for our earlier stuff but critics around the globe all gave 'Four' high praise. It felt good. We felt rejuvenated. We really came to peace with who Danger Danger is and what we're all about. We decided to be the best D2 that we could. That meant great, hard melodic AOR rock. Well crafted songs with great lyrics and music. Lots of melody. Songs you will remember forever. Like our first album but keeping a modern edge as well. We don't want to live in the past, either. Did you achieve that? I think so. At least from the response we've gotten so far. Obviously, you think this record is better than 4 so that means a lot. The ...
 
Tue
07
Feb

Melodica - Ted Poley (1999)

  Interview with Ted Poley & Gerhard Pilcher of Melodica - June 2000.   OK Ted and Gerhard.... Time to play you off each other and get some truly honest answers!!! Lets talk about the making of Melodica. First up - I have known you both separately for a while - Gerhard you were looking for a singer, how did you guys hook up? Gerhard: Actually our first contact was in July 1999 per e-mail. I took his e-mail address out of " Metal Edge" magazine here in the US and just gave it a shot. He's always been one of my favourite singers since Danger Danger and to be honest I never thought to work with him one day but on the other hand if you don't try you'll never find out. As you know I was already in contact with other celebrated singers before and I could feel it's just a matter of time 'til I find the right one. All of the guys liked the songs but were too busy with their own stuff at that time. So with Ted everything started falling into place right from the start. Ted: Yeah, I was contacted by Gerhard by e-mail. Ted - ...
 
Tue
07
Feb

Rik Emmett (1999)

    Rik Emmett: No More Pink Elephants. Canadian rock legend Rik Emmett talks over his vast musical career - Triumph to his collected solo works and the new Airtime project. Andrew from MelodicRock.com Rik. Hello Andrew. A great pleasure to talk to you. Well it's nice to talk to you too. It's been too long. We did an email interview about many years ago or several years ago at least, but never a phone interview and I'm really pleased to touch base with you. That's great, it's nice to talk to you too. How are things? Where have I reached you, at home in Canada? Yeah, I'm sitting in my studio and all is right with the world. The Toronto Maple Leaves hockey team has had a lovely victory this evening. Between interviews I was watching them play hockey and it takes me back to my childhood. When they win I feel good, when they lose I feel like something's not right. Where about it Toronto or in the area do you live? I live in Mississauga which is sort of a western bedroom community. It's a city in its own right. Yes, I lived on Queen St. ...
 
Tue
07
Feb

Stan Bush (1999)

  Stan Bush has been behind a couple of classic AOR albums with cult status now attached. He has also recorded some safer middle of the road material, but remains one hell of a good voice. His last album was attacked for it's production quality. So I thought I would run a few questions past the man himself.... So Stan, so far there has been only a European release with Now & Then/Frontiers for the Heaven album. Will your Barrage releases be exclusive for Europe? I thought there would be a good audience for that album in Japan. So far the "Heaven" album is only released in Europe, but we are working on arranging a release in Japan. I know you have decided to use the band name for Europe, so what will you be recording under just Stan Bush? I have a new album coming out at the end of March on BMG Europe called "Capture the Dream: Best of Stan Bush". It contains the best of the last four albums, and includes a new title as well. The last solo album got split into 2 releases, the European and the Japanese issue, which is becoming an annoying habit ...
 
Tue
07
Feb

Gary Hughes (1998)

Gary Hughes has established himself as one of England's premiere singer songwriters. In a few short years he has managed to be involved in some mighty AOR releases including Hugo's solo debut, the monsterous upcoming Bob Catley debut and not to mention 4 albums with his band Ten and now a second solo album. So here's Gary on upcoming events, past records and a sometimes fickle press.... Gary, great to finally talk with you! I am not going ask what's happening, because you have to be one of the busiest guys in the business! Yeah, I guess that's true, but to be honest I like to be busy. I enjoy my work and now I have a schedule where I work like a normal job wherever possible. That is, Monday to Friday and try to be home for the evenings with my family. When we recorded "The Robe" it got crazy towards the end and I almost made myself very ill. I find that I can be fresh to the projects if I don't overdo the amount of work each day and I get to switch off in the evenings and at weekends. OK, so how do you relax and when ...
 
Tue
07
Feb

Mark Mangold (1998)

Mark Mangold seems to have a magic AOR touch. Excuse the pun! He has been involved in two cult AOR acts and is currently launching a solo career and what could also become a classic AOR release - Mystic Healer - unreleased works from his prime AOR days. So here is the man behind Touch and Drive She Said. Hi Mark, great to 'speak' with you. You seem to be at the start of a resurgence in your career! You have got a few things coming up, but first what have you been doing since the last Drive She Said record? The Best Of D,SS, if that is what you mean by the last D,SS record, is out now in Europe and Japan. We worked on 5 new tracks for it as well as compiling the various tracks, etc. I've completed a solo record which is out now and am presently working on getting that out there, performances, interviews, etc. as well as just completing the second video for the song "42nd Street". Certain AOR acts tend to take on a cult status, but you have been fortunate enough to be in two different acts that have achieved that ...
 
Tue
07
Feb

Stream - Peter Scheithauer (1998)

An Interview with Steam founder and guitarist Peter Scheithauer. So how long was this project in development? Stream is my solo project. It exists for the last 10 years but for this CD it happens by the end of 1996. Who wrote the songs? I wrote the main riffs except Camouflage. And after Bob helped me to arrange and added some parts like lead breaks, end of songs. David did all the lyrics/melodies. Camouflage was two different riff that Eric had on a tape we made a song out of it and added different parts. The instrumental is totally different I wrote 100% of it, it's an old session that the label liked. What did you have in mind to achieve in the beginning? Right from the beginning Stream is my project and my goal is to play with people that I admire. Plus I wanted to find a way to have different influences on one CD kind of the 70's meets the 80's meets the 90's. All the musicians I played in Stream with I own their CD's saw them live when I was a teenager. I'm very fortunate to have the possiblity to play with those guys. How did the ...
 
Tue
07
Feb

Harlan Cage - Larry Greene (1998)

Thanks for your time Larry. Thanks for your interest and support. I enjoyed touring around your web site last week. It's nice to see people responding to the kind of music we like. The new record Double Medication Tuesday is a proper band project. You must be happy with the result? We're very pleased with the way the album turned out. There are always things you wishes you could have done differently, but that's usually the case. We felt the best way to paint the songs with a live feel, was to use a full band. It's also a hell of a lot more fun The whole album seems like a step up - better songs, better production, better singing even! Well thanks. We're glad you like it. The first album was more of a collection of songs, as opposed to a wire to wire project like this one. I think there's more continuity this time around. Is this the way you intend Harlan cage to remain, with this line up? This is a great band to work with. Both drummer Michael Lawrence and bassist Jamie Carter had been working together for several years in a band called Sun 60. They're ...
 
Tue
07
Feb

Paul Gilbert (1998)

First off, all the guys in Mr. Big have found side projects or are making solo records - where does that leave the future of Mr. Big? Mr. Big is currently on hiatus. The future is unknown at this time. I will come back to Mr. Big, but first to your solo record - Congratulations on a fine album! In the lead up or approach to this album, what were you looking to do? In my approach to my first solo album, I wanted to introduce myself as a singer/songwriter and still keep interesting and heavy guitar throughout. How long were you writing for the record? The songs were written mostly a few months before I began recording, but there are some old favorites of mine too. How long did it take to record? The album was recorded in 3 months. I see you enlisted the help of Bruce Bouillet. Are you two buddies? Bruce Bouillet is a very good friend of mine! We worked very hard together while recording and still had lots of fun. So how do you like the outcome? I am very happy with both the recording experience and the finished product. I know of your ...
 
Tue
07
Feb

Jack Ponti (1997)

November 1997 Hey Jack! Are you happy with the end result of Baton Rouge? Yeah I'm happy. It's Cool. I think it's better than the other two by a long shot! Thanks you, I appreciate that. You seem to have a bigger sound on this album. Well, it was a little bit different approach. So how did you approach it? I actually think we tried to make it a bit earthier. And it was pretty much Kelly and I were left to do what we wanted to do. We kind of had fun with it, rather than being microscopic. It sounds rawer. Yeah, definitely that kind of vibe. And there was no major label distractions? Yeah it was pretty much doing what we wanted to do, rather than doing what we were told to do. You have more fun that way. You have a huge guitar sound on this record. It was probably because of the studio really. More than anything else. Pretty much the same amps and the same guitars used on 'Baton Rouge', 'Shake Your Soul' and 'Lights Out In The Playground'. I think the difference in the sound is probably the studio this time around, as much as ...
 
Tue
07
Feb

Slaughter - Blas Elias (1997)

Blas, Slaughter are one of the few bands that survived the musical 'cleansing' of the past few years. Was there a time or two there when you thought you weren't going to make it? We went through some very trying times. We never really talked about it but I'm sure everyone at times had some thoughts that maybe we wouldn't make it. We're very happy now and things seem to be getting better all the time. Stick It To Ya was huge - you may not have been an overnight success story like people like to make out (you know, hiding the hard work behind the success), but did it surprise you to have such a hit with your first record? I think there was so much going on at the time that none of us really had time to think much about it. We were constantly on the move and busy doing all kinds of things. When we look back on it although we put a lot of hard work into it we were pretty lucky to have the success that quickly. How did each of you guys handle the exposure and success? Everyone has their own way of ...
 
Tue
07
Feb

Axe's Bobby Barth (1997)

Bobby Barth is the guitarist, producer and songwriter in Axe. The band that have produced a brand new album after 15 years of just 'hanging out'. But he hasn't been idle in the meantime. Bobby runs his own production/management company, has built his own studio, and recently produced and helped new U.S act C.I.T.A break out a couple of good albums. So Bobby, it's been a long time between drinks for Axe, eh? Hey Andrew, no Man , we always got together to drink , we just didnt record!! So what led you guys to reform? We had always stayed in touch with the idea of someday going into the studio, but it never worked out, schedule wise, until this year. With a few of the records I have produced doing pretty well, MTM asked about an Axe reunion record, I called everyone and we stocked up on beer and cut the record. It doesn't sound like you have skipped a beat! How was it to get back in the studio after all thses years? I was amazed at how much better everyone played, how much more mature they were, music wise...and age wise...If we could ...
 
Tue
07
Feb

Brett Walker (1997)

Born and raised in Norman, Oklahoma Brett Walker picked up the guitar at age 15 and soon began playing school assemblies and town functions. At age 20 he made the decisive move to Los Angeles where he found himself as a "hired gun" playing with such artists as Tahnee Cain and Nick Gilder. A It also marked his introduction to the world of professional song writing. Branching out on his own, Brett began seriously pursuing a career as a singer/songwriter and in 1988 had his first cut on a record on a major label record. He continued working on his own, and on the strength of his tape, went to NYC to work with renowned producer David Prater (producer of Fire House and Dream Theater). In 1989, Brett wrote two charting singles; one for Jimi Jamison and the other for the band Alias. "Waiting for love" recorded by Alias, went on to become Brett's first top ten single in 1990. After being courted by several companies, Brett signed a major publishing deal with Virgin Music in 1991. Now I stole all that from Brett's web page (thanks Brett!), and that sort brings us up to where Brett released his awesome debut album 'Nevertheless'. So I ...
 
Tue
07
Feb

The Storm - Ron Wikso (1997)

Ron Wikso is a busy man. Not only is he the drummer from AOR supergroup 'The Storm', featuring Journey bassman Ross Valory and ex-Journeyman Gregg Rolie (and Steve Smith initially), but he is also the drummer in a revamped Foreigner. Add Cher and David Lee Roth to his resume, and I would say that would make him an essential gentleman to talk to! Here goes... So Ron, how long have you been playing drums, and how did you get started? This year marks 30 years! I started when I was REALLY young!! Basically, I just started with a neighbor of mine showing me some stuff on a practice pad and then my mom got me private lessons from the local elementary school's band director. Then, a couple of years later, when I was old enough, I joined the school band and kept it up from there. What was you're first big gig? If you mean my first big tour, that would have to be the Cher tour that I got in 1989. We did the MTV Music Awards, Prime Time Live and lots of other major TV stuff in addition to the arenas and amphitheaters that we were playing at on tour. ...
 
Tue
07
Feb

Night Ranger - Kelly Keagy (1996)

Okay, so we all know who Night Ranger are, if not, check out my Jack Blades interview. This however was a slight variation on the form of the band, with original members Kelly Keagy and Brad Gillis joined by ex-Jeff Paris bass man Gary Moon. They went onto record the very fine album 'Feeding Off The Mojo'. Here's the story. So Kelly, how is the band and what are you up to currently? The band is preparing to tour the south behind the newly released single ‘Precious Time’. All the reviews I have read for 'Feeding Off The Mojo' have been excellent, are you happy with the reception for the album? Radio is still focused on playing alternative music, so getting airplay has been frustrating. However, we have been gratified by the reviews. It seems the consensus is it’s a great record and will be a shame if it doesn’t get the proper attention. Many bands have comprimised their sound for the trends. 'Mojo' is a very contemporary sound, while still retaining everything a classic Night Ranger album should. How did you go about the song writing? Writing the songs came naturally, we can’t do it any ...
 
Tue
07
Feb

Rudy Sarzo (1996)

Rudy Sarzo has been one of the premier hard rock bass players, both in session work, as well as in a band enviroment. He started out with Quiet Riot, with Kevin Dubrow, and built the band into a top five stadium act. He was part of the best Ozzy Osbourne band ever, including the legendary Randy Rhodes and drummer Tommy Alderidge. In recent years, Rudy has recorded and toured with Whitesnake, recorded a blues hard rock album with Aldridge, Vandenburg and ex-Little Caeser vocalist Ron Young, played sessions with Paul Rodges and Alice Cooper, and conceived his own record label - Sarzo Music. With the label, Rudy has set out to expose the world to Spanish rock acts, with new CDs out soon. For the low down on the goss, read on.... Rudy, it’s great to talk to you! What’s going on right now? I'm getting ready to start pre-production on the new RATT album. I heard you were involved in the reformed Ratt. How did you get involved with that? When the original bassist, Juan Croucier, declined the offer to rejoin RATT the manager suggested me. Warren and I have already toured together (Whitesnake 1994) and I know ...
 
Tue
07
Feb

Marc Ferrari (1996)

So Marc what are your movements of late? More of the same!!! Last year my band "Medicine Wheel", released a cd called "First Things First" in Europe via Dream Circle and in Japan via Alfa/Brunette. We went over to Japan last November (1995) and played a few shows...it was great!!! How have the two Medicine Wheel cds gone for you? Pretty well....the first album, "First Things First" was released in Europe and Japan, and the 2nd one just came out, so we're in the process of negotiating deals right now. I have also released my first-ever solo album called "Marc Ferrari + Friends: Guest List" last January. It features guest performances by Robin McAuley (MSG), Steve Plunkett (Autograph), Carl Dixon (Coney Hatch), Bob Kulick (MeatLoaf, Alice Cooper, Blackthorne), Tommy Thayer (Black n Blue / Shake The Faith), Pat Torpey (Mr.Big), and all the dudes from "Cold Sweat", and more. The Japanese version on Alfa / Brunette features a bonus track written by myself and Paul Taylor (Winger), and sung by Marq Torien (Bulletboys). I am trying to get deals here in the USA so it will be a domestic release. It has done better than expected!! How did you get ...
 
Tue
07
Feb

Steve Brown - Trixter, Throwan Rocks, Soaked & 40ftRingo (1996)

Steve first appeared as one forth of the youthful hard rockers Trixter. Their album, released at the start of the decade, went on to sell one million copies in the states, and gain the band a huge following. Now Steve has moved onto a new act Throwan Rocks, who already have gathered a fan base along the east coast USA. Reviews for their four track EP have all been positive, and now the band are at work on a full length debut. So how did it all come together? How’s Things going then? Going great! What’s the new band then? The band is called Throwan Rocks. How long has the band beet together? Right now the the band have been together exactly a year and a half. That long! Yeah, it’s been a project of mine that I started. Basically what happened, I built a studio in my basement of my house. Just started knocking around, experimenting and having fun, and all of a sudden I had four or five of these songs, that I listened to and I said - You know I have got something here. Different than what I had done in the past, ...
 
Tue
07
Feb

Neil Kernon - Record Producer (Industry)

Producer Neil Kernon has been in the business for 30 years now. His credits include such Platinum acts as Hall & Oates, Kansas and Michael Bolton. He also the main behind a few AOR classics like Aviator, Valentine and Autograph. In the 80's he turned to hard rock and had great success with acts like Queensryche, Dokken, XYZ, Lynch Mob and Helix. In an interesting look behind the scenes, read what Neil had to say to me a short time ago... How did you start off in the business? My first job in the biz was in music publishing. I went straight from high school into the professional dept. at Essex Music in London. Who introduced you to it? Well, as they always say..it ain't what you know, it's who you know. The owner just happened to be the next-door-neighbour of my Dad's best friend. So he asked him if he could help my Dad out in his quest for openings for me in the music biz. You play piano and guitar....did you initially start your career in engineering as a musician? I started my career in life as a musician. As both my parents were musicians, I was ...
 
Tue
07
Feb

MelodicRock.com - (Industry)

Interview conducted by Dave Ling for Classic Rock Magazine - October 2001. Dave Ling: Why and when did you start melodicrock.com? Melodicrock: It all started with writing occasionally for the now defunct UK rock magazine Frontiers. I had the idea to start my own venture and a magazine was my first thought. But being geographically challenged, the logistics and expenses of such a plan were always going to make it a hard task. At the same time (early 1995), the Internet was just starting to get mainstream exposure and a good friend was right into PC's and the 'Net. I got involved in a couple of primitive bulletin boards and was answering questions in a 'where are they now' vein and thought this is a medium with possibilities and one where my location was irrelevant. It built from there. The site had a couple of different names and designs, with melodicrock.com coming online in 1998. I did it as I saw that there were still a lot of rock fans out there, plus a lot of great new releases and artists, but the two parties were having trouble finding each other. In the U.S. especially, as the UK already had ...
 
Tue
07
Feb

Rick Springfield (Track By Track)

RICK SPRINGFIELD - KARMA RELEASED IN JAPAN 1998 - VICTOR ENTERTAINMENT. RELEASED IN USA, CANADA & GERMANY 1999 - PLATINUM ENTERTAINMENT KARMA - Produced By Rick Springfield & Bill Drescher.   RICK: GREEN BILL: YELLOW His Last Words: A poem I wrote about the death of my dad that my sons. my brother Mike and I spoke over some weird piano and FX. I played the piano totally separately from the rest of the track and when I laid it in, it fit perfectly, even ended at the end of the sound FX. Really synchronistic. It's Always Something: About a moment in my life that taught me how life is a balance, Yin Yang type thing. Just as Jessie's Girl finally started to catch fire in 1981, my dad died. We put a lot of time into the loops and live drums, getting them just right, and it shows real well in the different sections of this song. Religion Of The Heart: A song about personal spiritual discipline, not about finding Christianity. Used a sub bass part in choruses that makes the track sound extra healthy in that area. Beautiful Prize: A song about incest I wrote after a meeting with a victim. ...
 

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