Sammy Hagar

Mon
06
Mar

JESSE HARMS 'All Sides' Box Set Released on MRC

Artist: 
Categories: 
MelodicRock Classics Label
Jesse Harms is an American musician, songwriter and singer, who has spent a lifetime writing and recording songs as well as playing live with some of rock's biggest names.
 
Born in Massachusetts and raised in Berkeley, California, Jesse began playing the piano at 8 years old and studied classical music until he was 15. He lost interest in classical at that time and started playing the Organ with a local group of high schoolers called “The Rubber Band”. After high school Jesse attended the University of California, Berkeley but dropped out to concentrate on music.
 
In the early 70's Jesse formed a band called “Rags” with Pat Thrall (Pat Travers Band, Meatloaf) and Kelly Keagy (Night Ranger). After trying to write original songs the band started playing covers in clubs to earn a living. Pat was unhappy with the decision and left. The band went on to play clubs in California, Hawaii, Oregon, and Alaska from 1973 to 1978. Jesse realized that he wasn't getting any closer to his goal of playing on records so, with Pat Thrall's help he met Alphonso Johnson (Weather Report) who was trying to form a progressive rock band for Electra/Asylum Records. After moving to L.A. Jesse spent the next year writing songs with Alphonso, forming a band that included Vinnie Appice (Dio, Black Sabbath) and Joe Turano (Michael Bolton) and making a record. Unfortunately, Electra/Asylum dropped the album before its release. Through his friend Darrel Verdusco (John Hiatt, Mickey Thomas) Jesse met John Hiatt. John was unsigned at the time, but he had a good band and some club dates in L.A. So, Jesse joined his band. Through John, Jesse met Ry Cooder.
 
Ry asked Jesse to play on his 'Borderline' album and then signed John and his band to tour Europe as his backup musicians in the winter of 1980 to promote the record. A U.S. Tour followed in 1981. Hiatt signed with Geffen Records and the rest of 1981 was spent recording the CD 'All of a Sudden' in New York and London with Tony Visconti as producer. The Album was released in 1982 and a tour opening for Graham Parker followed. But the album had poor sales and Hiatt let the band go.
 
Immediately Jesse joined is friend Pat Thrall again to tour in support of Pat's new project The Hughes/Thrall Band with Glenn Hughes (Deep Purple, Trapeze) and Tommie Aldridge (Black Oak Arkansas, Ozzy Osborne, Whitesnake). The band toured the U.S. playing arenas as the opening act for Santana. But that album also had poor sales and was dissolved.
 
Soon after Jesse got a call from producer Keith Olsen to do some additional recording on a single from Three Lock Box an album he had made for Sammy Hagar. Sammy had been hiring a studio keyboard player and a studio backup singer to make his last two records and he had nobody in his band to reproduce the parts on tour, so in late 1982 Jesse joined his band. Most of 1983 was spent on the road touring to support Three Lock Box. The album earned a Gold Record and the tour sold out arenas all across the U.S. 1984-85 were spent making Sammy Hagar's platinum album VOA (which included one of Jesse's songs, Don't Make Me Wait and the support tour, which was one of the most successful tours of the year, selling out arenas and stadiums in the U.S. In 1985 Sammy opted to join Van Halen, the last date his old band played was Farm Aid at University of Illinois stadium which featured Eddie Van Halen on guitar.
 
In late 1985 Jesse focused on writing songs and in early 1986 he got a call from Ted Templeman again to work on David Lee Roth's platinum 'Eat 'Em and Smile' album. Jesse turned down Roth's offer to join his band in order to work on his own songwriting. Most of 1986 was spent trying to form his own band under the guidance of John Kolodner at Geffen Records.
 
In 1987 Jesse reunited with Sammy Hagar to make his 'I Never said Goodbye' CD with Eddie Van Halen on Bass. The album included one of Jesse's songs 'Back Into You' and went Gold in the U.S. In 1987 Jesse signed a Publishing contract with Geffen music and spent the rest of the year unsuccessfully trying to put together his own band. In 1988 one of Jesse's songs, 'Walk On Water' was recorded by Eddie Money and went on to reach #9 on the Billboard Hot 100 and was a number one Rock track as well as a number one MTV video. The album 'Nothing to Lose' went Gold, Walk on Water also was on Eddie's Greatest Hits which sold Platinum.
 
In 1989 Jesse toured with Eddie Money as part of his band that included original guitarist Jimmy Lyons. Later in 1989 Jesse began writing songs with Kevin Cronin (REO Speedwagon). At the time REO was inactive but with the support of management the band was reformed. Jesse's friend Dave Amato (Ted Nugent, Cher) was added on guitar and Brian Hitt (Wang Chung) on drums.
 
1990 was spent writing and touring with REO Speedwagon as well as recording their CD 'The Earth, A Small Man, His Dog And A Chicken', which Jesse co-produced and included Live It Up which reached #6 on the Rock Chart and 5 more of his songs.
During 1990 Jesse also wrote a song with Sammy Hagar, 'Fallen From Grace' that appeared on Heart's Double Platinum CD 'Brigade'.
 
Jesse left REO in 1991 to get married and focus on Songwriting for MCA Music. 1991 through 1995 were spent in L.A. as a staff writer producing songs that appeared on CD's by Patty Smyth (Gold Record), Bad English (European #1), MSG, and Johnny Van Zandt etc.
 
In 1996 Jesse co-wrote a song (Both Sides Now) with Sammy Hagar, which brought them back together. In 1997 Jesse worked on Sammy's 'Marching To Mars' CD, playing keyboards and co-writing 6 songs. Sammy and Jesse then put together a band that would later be called the Waboritas and toured in 1997-1998 to support the Album, which went Gold. In 1998-1999 Jesse was the co-producer and Pro-Tools engineer, as well as playing keys and singing on the Hagar CD 'Red Voodoo' which included 3 of his songs. The band toured in 1998-1999 to support the album which went Gold. The CD included the #1 rock track 'Mas Tequila' which helped launch Sammy's Cabo Wabo tequila brand.
 
In 2000 Jesse co-produced, played keys and sang on Sammy's 'Ten 13' CD which included one of his songs and the band toured into 2001 to support the album. In 2002 Sammy released 'Not 4 Sale' which included Jesse's song 'Things've Changed' which was the only single released from the CD. 2002-2003 also included the “Heavyweights of Rock” tour with David Lee Roth and more touring in support of the ill-fated Not 4 Sale.
 
In 2004 Jesse was the Producer and Pro-Tools engineer on Guitar Shorty's CD 'Watch Your Back' which also included 5 of his songs as well as writing, producing and engineering his own solo CD 'The Best of What I've Got'. Jesse also wrote 3 songs, including the title track, on Guitar Shorty's follow up CD 'We the People' which won the Handy Blues Award. In 2005 Jesse purchased a Marin Music Center in Novato, California which he operated until he sold it in 2019.
 
Jesse continues to write and record new music and a couple of new songs are included as part of his career spanning box set 'All Sides'.
 
DISC 1
 
01. I BELIEVE (Feat. Dave Amato, Dave Lauser, Ricky Phillips)(Recorded by Jimi Jamison & BB Steal)
02. LET IT RAIN (Feat. Dave Amato, Dave Lauser, Ricky Phillips)(Recorded by Ron Keel)
03. NINE ELEVEN (Feat. Dave Amato, Dave Lauser, Ricky Phillips)
04. HOME SWEET HOMICIDE (Feat. Dave Amato, Dave Lauser, Ricky Phillips)
05. AFTER MIDNIGHT
06. ALL HEAVEN BROKE LOOSE (Recorded by REO Speedwagon)
07. WALK ON WATER (Feat. Ricky Phillips)(Recorded by Eddie Money)
08. FEAR OF FLYING (Feat. Ricky Phillips)
09. ALL I WANT IS YOU (Feat Dave Amato)(Recorded by Freddy Curci)
10. GYPSY ROAD
11. LIVE IT UP (Feat. Dave Amato, Ricky Phillips)(Recorded by REO Speedwagon)
12. MAKE A WISH (Recorded by Beau Nasty and Jesse Strange)
13. LOVE TO HATE (Recorded by REO Speedwagon)
14. LET IT COME TO YOU (Feat. Dave Amato)(Written for REO)
15. JUST TO BE LOVED BY YOU (Feat. Tim Pierce)(Produced by Kevin Beamish)
 
 
DISC 2
 
01. CRASH THE PARTY
02. DANCE WITH EMOTION
03. BOTH SIDES NOW (Written by Harms/Hagar)(Recorded by Sammy Hagar)
04. LIFE IS TOO SHORT
05. DON'T LOOK BACK (Written for Meat Loaf)
06. I CAN'T STOP THE RAIN
07. YOU GOT A HOLD ON ME
08. THE RIVER RUNS DEEP
09. LET IT GO
10. THINGS'VE CHANGED (Written by Harms/Hagar)(Recorded by Sammy Hagar)
11. DOWN ON THE BEACH
12. DISCONNECTED
13. BLOOD IN THE WATER
14. UNTIL THE END OF TIME
 
DISC 3
 
01. A GOOD PLACE TO START (Written for Andrew Strong)
02. WAITING ON A MIRACLE
03. WHAT WAS I THINKING
04. SONIC BOOM (Recorded by Guitar Shorty)
05. DUSTY DREAMS
06. ONE MORE TO LOVE
07. FIELD OF STONES
08. TOPLESS WOMEN AND BOTTOMLESS DRINKS
09. NOBODY BUT YOURS
10. DOING TIME
11. CADILLAC RANCH
12. ONE HOUSE
13. VOODOO DOLL
14. MOON (Inst)
15. THE SOUTHERN CROSS (Inst)
16. DON'T PROMISE ME THE MOON
 
DISC 4 (Guest Vocals)
 
01. FALLEN FROM GRACE - Sammy Hagar (Recorded by Heart)
02. DANGEROUS CURVES - Sammy Hagar (Written for Lita Ford)
03. MAYBE WRONG - Sammy Hagar (Written for 'Marching To Mars')
04. THIS TIME - Sammy Hagar (Written for 'Marching To Mars')
05. DEEP IN THE HEART OF XMAS - Sammy Hagar (Written for 'Jingle All The Way' Movie)
06. SHAKE IT UP - Kevin Cronin
07. HALFWAY - Kevin Cronin (Written by Harms/Cronin/Spiro)(Recorded by REO Speedwagon)
08. I WANT YOU BACK - Kevin Cronin (Written for REO Speedwagon)
09. WHEN IT'S LOVE, YOU KNOW - Kevin Cronin (Written for REO Speedwagon)
10. THE HEART SURVIVES - Kevin Cronin (Feat. Dave Amato)(Recorded by REO Speedwagon)
11. WHEN I'M GONE - Robin McAuley (Written for and recorded by MSG)
12. I'D BE LOST WITHOUT YOU - Robin McAuley
13. HOW FAST CAN WE FALL - Robin McAuley (Written with Sue Shifrin)
14. CHASING DOWN THE WIND - Robin McAuley (Recorded by John Waite & Tom Jones)
15. ALL I WANT IS YOU - Robin McAuley (Recorded by Freddy Curci)
16. LOVE IS STRONG - Robin McAuley
17. DON'T PROMISE ME MOON - Robin McAuley
 
DISC 5 (Guest Vocals)
 
01. MAKE ME A BELIEVER - Patty Smyth & Jesse Harms (Written for Patty Smyth)
02. I WON'T BE HOME TONIGHT - Patty Smyth (Written for Patty Smyth)
03. THE WELL RAN DRY - Teresa James
04. BODY AND SOUL - Teresa James (Feat. Ron Wikso)
05. CAN'T STOP THE FIRE - Der Strasse
06. SHELTER FOR THE NIGHT - Gina Shock
07. HEART OF A STRANGER - Tommy Gervin (Written for Eddie Money)
08. THE MAN Inside - Teresa James
09. SHE NEEDS YOU MORE - Shaun Murphy
10. LET YOUR HEART DECIDE - Richard Black
11. THE WAY I FEEL ABOUT YOU - Kee Marcello
12. THE DAY AFTER FOREVER - Joe Turano
13. I NEVER LET YOU DOWN - Joe Turano (Written with FM)
14. LET MY GUITAR DO THE TALKING - Mike Finnegan (Recorded by Guitar Shorty)
15. DIG A LITTLE DEEPER - Rick Barron
16. ONCE IN A LIFETIME - Bill Champlin
 
DISC 6 (Guest Vocals)
 
01. RUN WILD - Adrian Gurvitz
02. RAIN ON THE ROOFTOPS - Adrian Gurvitz
03. DON'T LOOK DOWN (Original Version) - Don Barnes (Recorded by Don Barnes)
04. CHASING DOWN THE WIND - John Waite (Recorded by John Waite & Tom Jones)
05. SEARCHING FOR A LOVE - Tommy Funderburk
06. LAST NIGHT - Max Merritt
07. MORE BAD THAN GOOD - Greg Sutton
08. WALK IT LIKE YA TALK IT - Greg Sutton
09. MORE THAN WORDS CAN SAY - Johnny Van Zant (Written for Johnny Van Zant)
10. LOVE CAN BE CRUEL - Johnny Van Zant (Written for and Recorded by Johnny Van Zant)
11. PRETTY THINGS - Danny Tate
12. MY WILDEST DREAM - Danny Tate
13. LIFE'S TOO SHORT - Billy Valentine
14. TOGETHER - Billy Valentine
15. MONEY CAN'T BUY IT - Jeff Wilson
16. TALKIN' LOUD SAYIN' NOTHING - Jeff Wilson
17. THE FIRST STEP - Jeff Wilson (Written with Steve Plunkett)
 
Wed
08
Feb

Sammy Hagar (2006)

Artist: 
Categories: 
Interviews
Sammy Hagar: The Evergreen Rocker Lives Life Up.

 

 

Sammy Hagar talks passionately about his new album Livin' It Up, touring, his lifestyle and bar, everything Van Halen, plus more on Journey, Planet US, Montrose, Michael Anthony and then some more Van Halen. Enjoy!

Sammy Hagar is one of a handful of artists that heavily influenced my desire to start this website. My desire was to speak to like minded people about music that inspired me and through Sammy's work with Van Halen and as a solo artist; some of these tunes are among my most treasured.
For whatever reason, it has taken me nearly 10 years to connect with Sammy for an interview. But I got my interview! With personal thanks to Tom Consolo at Azoff Management and Sammy's publicist and indeed Sammy himself, my long awaited interview is below.
Sammy was in top form, passionate as always and was happy enough to shoot overtime to continue chatting with me. This is definitely one of my favourite interviews while running this site and I hope it is the first of more to come.
While I didn't quite have time to run through 10 years worth of questions, I think we did manage to cover a lot of ground for interview number 1. Looking forward to the next.
Over to Sammy….

 

 


[Sammy's publicist connects me through to Sammy...]

Andrew, Sammy here.
Hey Sammy, how are you doing?
I'm doing pretty good.
What can I do for you Andrew?

Well, it's a great honor to speak to you finally Sammy. I have been running the site 10 years nearly and you are 1 of only 3 interviews that I have never been able to do yet. Until today in this case.
Well, here we go!

I'm rapt to get you on the phone finally…how ya doing?
I'm pretty beat I gotta tell you. I must admit. I just finished a tour and it was the most grueling tour and the most rewarding tour I have ever done in my life.
I had Michael Anthony and The Other Half out there with me…so I did two shows per night basically. I played an hour twenty with my band, about an hour ten or twenty with Mikey and sometimes we'd screw around and do an encore.
I started out with two hours and fifty eight minutes, then the next show I went down to 2.52 and then to 2.48 and it stayed right around between 2.35 and 2.45. And it wore me the fuck out…hahaha…If I may be straight out honest!

Haha. I actually have one of the set lists in front of me and it's amazing.
Yeah, we did so many different sets too. I don't know…which list do you have?

New Jersey, Homdel I'm looking at.
Pretty close to what we did…hahaha. But every time we'd get bored with a song we'd change 3 or 4 songs a night and towards the end we started getting a little more radical with it.
Cause. Like I said…the Wabo's – we have a set list – but we don't go by it. Haha. So everyone says 'well, they don't have a set list'. No no, we have a set list – we just don't use the fucking thing. We use it as a reference.

Well, that's rock n roll isn't it?
Well, it keeps me alive out there. You know, if I had to do the same show every night, um…jumping around. That was the hard thing about the Van Halen tour. We were not able as a band to ad-lib and change it up too much because in order to play a Van Halen thing you have to rehearse for a month per song. So we had to do the same show every night, you know. I'm telling you, after 40 shows I wanted to commit suicide and we did 80! I was just going man…I started looking at it as an exercise. Ok, I'm going to go out and get a 2 hour aerobic workout.

I'll come back to that, because there's a couple of questions regarding that…
I'm sure.

Haha… “I'm sure” haha…do you go through any interview without those questions?
Haha.
It's hard at my age for as long as I have been doing this to go out and just do a show. Like most people would say the opposite. Like anyone who has been doing this as long as I have most of the time would say 'it's much easier to put a show together and you just go do it.'
But then it's like a job…well I don't like to work to start with. I hate work. So 'a job' is a bad word. I like to play music and have fun – every night. I like to throw a party and in order to do that you have to go with how you feel and how it feels between you and the audience.
You can't do a sterile show otherwise…I hate it…I wouldn't do it. I'd rather go mop the same floor every night; you know…it would be the same thing to me.
I gotta have fun and throw a party so my way around that is by changing it up every night and it works.

And your shows seem to becoming more of a party each and every year.
Yeah they do. It's the reason…it gives me a reason to do it. Otherwise I would be saying this isn't fun anymore.
For it to be fun you gotta make it fun and I make it fun…for the people and for myself. I honestly have a blast out there. I go out – I get fired up before the show. My band and I, we all do a couple of shots of tequila before the show…Mikey does a lot more than that…but…hahaha….we try and keep it to one bottle per show. And we go out and just honestly start having fun...goofing off, changing it up. I love to keep the band on their toes. They love it when I change it – it keeps them on their toes.
The way my drummer says it – by the third song, if I haven't changed the song yet, it gets harder and harder to get off the hook. As soon as I change the song up and throw him a curve, he gets off the hook and the show goes…and we all have our little quirky things that make the show work for us.
For me it's half the amount of tities I see by the first…if I haven't seen a nice pair of tits by the first four songs, I go 'this ain't working, I gotta kick it up a bit.'
You can't go out and beg for that stuff, it just has to happen naturally, so you have to create a good enough party for that to happen.

It sounds like you are! I hope you can bring it down under sometime soon.
Well, we just finished the tour and I'm whipped. So we are not going to do anything for a little while, but I want to so bad.
I got good news – the tequila – the only country I am launching it in outside of the USA and Mexico is in Australia by the end of the year.

Fantastic.
A company called Infusions Solutions – they have infusions.com.au. They are going to distribute my tequila. I can't make much more than we make as the demand is too heavy for America. It's like, hand made…I can't make a million cases. We are only sending about 6000 cases over for the whole of Australia. I assume that'll be gone in the first day…hahaha.

Haha….you know we like to drink down here.
Yes we do!

You had a great time here in 96 or so…I flew over to see that show. Awesome.
Well, I gotta tell you. The band has changed. We are the same band, but we have changed so much since then that it's not even – those were great shows – but I had just left Van Halen and I was really more keyed in and focused on the artist side of things. 'I want to be an artist; I don't want to be a heavy metal artist'.
I wanted to shed the Van Halen thing and I was kinda of like a person who was trying to rebel against his parents at the time.
Now, where we have come…all that has gone and the band has developed into who and what we are.
The reason I bring up the tequila thing – it gives me a double reason to come over. The distributor is going to want me to come over and promote the tequila and I'm going to want to come over and promote what I do. It all works the same.

It goes hand in hand doesn't it? Even more so with the new album lyrically. Let me ask this question – is Sammy Hagar now a lifestyle?
Completely! With this band or without this band I would be the same now. I really have found the type of life that keeps me energized and happy and puts a smile on my face and keeps me from being pissed off. It's pretty much beach all day and dance all night.
I like the whole Cabo lifestyle. I like the weather, the beaches, the sand, I love my house I have there and I love my bar. Haha…I may as well have wrote that song…haha…I really do love my bar.
Having that down the street is just one of the greatest things in the world. Sitting around the house at night – 9 o'clock, 10 o'clock – you are sitting there thinking 'fuck, I don't feel like going to bed…I can't have any more sex…I have watched all the TV I want to. I'm going down to my bar!'
And you go down there and jump on stage and play, throw down some tacos, do a couple of shots of tequila. To me it doesn't get any better than that and it is an awesome luxury.

It doesn't sound much better!
If you find it, please let me know! I'm open minded, I haven't closed my mind, it's just that this pretty much gets me off at this time in my life.

That's awesome. You have a fantastic fanbase who are largely supportive. But not everyone is going to come along for the ride. Do you find that some people just don't get it?
Oh yeah…especially with this record. Ever since I have kinda been doing this lifestyle thing – bringing the beach on tour basically. I have always said that not everyone is going to get it. And I'm ok with that. As long as I don't lose my fans and even some of those fans don't like this record because of the country element – I've got two or three country songs on there.
But it's ok. But what they have to realize is that I am not a one record artist. I am not a one haircut artist. I am none of that stuff. I am always going to change and I'm going to bring it to you. I'm going to bring you something that I think is cool and something that really interests and thrills me and that is the type of artist I am.
If you expect me to come out in the same clothes I wore the last time – it ain't going to happen. Other than my little goatee and my hair a little bit longer – I'm kinda liking my hair long…getting a hair cut is like a pain in the ass. Getting hair down your back on a hot day…oh, get outta here!
Other than a few little quirky things like that, I am pretty much…I am really a changeling…I'm always looking for something new to turn my fans on to. And not all of them always get it.
Like some fans say 'I like it when you turned me onto tequila, but I'm not buying the country trip'. Fine…I'll find something else for you.
But I'll guarantee you – I will keep find something things to throw at you. I'm not going to be pigeon holed. I want to keep my fans happy but even the ones that might be pissed off about this record because maybe it isn't heavy enough for them, they're going, 'well, we'll wait…we'll go see Sammy live', cause they have to have that!
I've made it an addiction for my fans – they have to have that...a little taste of it. They'll fly down to Cabo if it's the only place they can get it.

Sure. Is this album a bridge to where you are going?
I'm not sure. I'm not sure where I'm going with my music. I really don't. I tend to keep getting more and more rootsy I think and my roots are blues, country, soul and rock. Rock is forth believe it or not. I did not start out playing rock; I started out playing blues and R&B.
When I was going back – my first musical experience with my father was listening to Hank Williams. And then Elvis Presley came along and my big sisters went with that, so that's really country/rockabilly/blues. So those are my roots and they are really starting to come out even deeper on this record.
You know, something could happen in my life – like I could go see a band – a wild example could be some extreme far-out free jazz form band and that would blow my mind and completely set me on a new track.
I'm open like that…I'm one of those people that loves music and loves style and all that stuff. So anything could happen, but right now I'm just kickin' around the beach…haha.

Yeah, well…you have just got this record out. So we shouldn't pressure you about the next one yet!
Oh no no…you can do what ever you like. Haha…I'll just go take a walk on the beach and forget about it all.

Fantastic.
No this record I think is my best song-for-song songwriting I think. Some of my most honest.

I was going to say something along the same lines. It is a very passionate record isn't it?
It really is. I built the studio… When I went on tour with Van Halen I rebuilt my studio – I had it at my house and I took it out and put it in a warehouse and really built a studio inside a studio. It is like an air studio – it is completely suspended and my band, while I was gone for that year with Van Halen, The Wabos - they went in that studio every day with producer Bob Daspit, the engineer and just worked on sound.
Vic went through all my old amps and my old guitars and his collection and he just tried everything. And when I came back those guys just had that place sounding so freeking good I was so motivated to just go in there and just be myself and just let it all go and nuts – not even think about who I was supposed to be and I really go wound up in it man, I really got wound up in it.
I love this record!!!

It really sounds like you do and I must say that I haven't heard vocals from you so strong and clear since I don't know when.
Yeah, and it wasn't laborious whatsoever….I walked in and I'd just sing these lyrics as they were so close to what I was really feeling and doing with my life and…even the silliest song on this record - The Way We Live.

Sure!
It is strictly written about my fans sleeping out on the sidewalk at Cabo Wabo and they asked me to write a song about it – so I did.
But, no one else is going to get that just like you said and if anyone is going to dog me about this they are going to say 'now what's he singing about? Sleeping on the sidewalk… Is he homeless or something?'
It's so personal and so inside, but most of the songs are like that, so they were so easy to sing with complete passion and conviction.

Song style aside, that comes through loud and clear and it does sound like you live and breathe the record. Personally I'm digging it and I can't put it on and not be happy.
Yeah, that's what it's for. If you wake up in a bad mood – put this record on, it will change that. If you wake up unmotivated saying 'I really want to work out but can't get motivated' – put this CD on and crank it, you'll be in the gym in 5 minutes.
You'll be headphones on, walking up the mountain or on your bike fucking blasting down the road.
It really has that all in there because it's pure outdoor, night life fun. You're either going dance and put a smile on your face or start making plans – 'You know what, I'm gonna call up so and so and see if they want to go to the beach today.'
It is the manual to a good time and to a lifestyle. And I'm in love with the record.

 

 


Sammy, I have 10 years worth of questions here so I don't know how many I'm going to get to ask you!
No, go ahead.
<coughs> Sorry, I'm coughing like crazy here.

No worries at all, I'm much the same…its 7 in the morning here. Too early!
Oh, Lord...I'm sorry, I feel bad for you.

No no no…I'll do it at any time. Happy to have you on the phone!
Ok, well shoot man, you can ask me anything you like.

Ok, so jumping to Van Halen then. Do you get tired of being asked about the band in I guess every interview, being that everything is kinda on hold?
No I don't get tired of it. The truth of the matter is, Van Halen – one of the greatest rock n roll bands in history –

Absolutely.
No question about it. My era…Dave era….all of it together it fucking….you can't get much more rock n roll history than that.
It's a shame that it is not functional anymore. The last tour was really….I spearheaded that; I really wanted that to happen. I said this has to happen.
I heard Eddie had been sick with cancer and I said, you know…if this guy dies and we never do this, it's gonna be a shame for everybody. For the fans, for the band, just for rock n roll and history.
So I pushed for it to happen and it really wasn't a good time.
I wish I would have waited or tried to do it sooner. I don't know which would have been worse or which would have been better.
But if it had of gone great, then Van Halen could have been together again and I could have had my band on the side.
But as it turned out, my band is my band now and Van Halen is my side project.
And unless something really changes, it's going to stay that way.

Yep.
And not because that's exactly what I want, it's just not user friendly. It's not any fun to be around Eddie, he's not a fun guy to be around. He's just really angry and I don't know why.
Cause, it's like 'Hey dude, what's your problem? You've got everything anyone could want...', but he wants more. He doesn't want to share the spotlight…he doesn't want to share the creativity anymore. He doesn't want to be a band; he wants to be a solo artist. And he used to say that about me and here I am a fucking solo artist!
But I keep saying he is the one that wants to be a solo artist. He wishes that he and his brother could just go out by themselves and not have to deal with other people so that he can just do what ever he wants.

Well, that's where I get confused. Why doesn't he do that then…why don't both of the brothers just get out there and do that?
Well…first of all – in the band Van Halen, Eddie always did whatever he wanted, I did what I wanted, Alex did what he wanted and Mikey did what he wanted.
But then Eddie started saying, no no, I want Alex to do what I want him to do.
You know, on that Gary Cherone trip, he played drums on a few songs.
C'mon! Fucking do a solo album! Not this when you have a drummer like Alex Van Halen.
And he sang lead on a song. My God! Am I gonna let this guy sing? That'd be like me saying 'Eddie, I'm going to play lead guitar on that song instead of you.'
It's not going to be as good, you know, but he just wants to do everything and tell everyone what to do and he's fucking crazy. So it's not very easy to say 'oh, that's a good idea'.
If it was a good idea that'd be easy, but if it's just some harebrained cockamamie thing that he doesn't even remember what he said 5 minutes later…I'm not going to sit in the studio all night trying to do Eddie's solo trip with my voice.
It was tough.
Those last three songs we recorded – I could have recorded three albums in that amount of time.

Yeah, I was going to say that while they are ok songs….they sounded labored. They didn't flow or have that spontaneous Van Halen vibe.
Man, it was hoarse brother. I went in and Eddie had spent 3 weeks on a guitar part and I'd come in and do my vocal in 2 hours. And it would be done.
Now, you can make fun of me all you want and say 'Yeah, you should have spent more time on your vocals…they could have been better – fuck you!'

Hahaha.
It was as good as it could be though. Especially under those circumstances, I just tried not to be around the guy.
He was miserable.
Thank God for the producer, he really made things bearable. He kept it together.
That tour would never have happened if it wasn't for Glen Ballard. He got me in and out before Eddie and me would get in a fight. And then the tour – same thing.
Two airplanes and all that. If someone could really see what went on behind the scenes, not what happened on stage….and sometimes that wasn't so hot either.
But you would go – 'Oh, I understand why Sammy doesn't want to do it.'
Plus, if they want to do it – if Ed wants to do it or Alex wants to do it. If Ed wants to do it, all he has to do is call us up and say 'Hey, I'm sorry about what happened before, let's try this again.'
I'd give it a try, but it would have to be a little bit different.

There were a lot of reports of Eddie drinking heavily on tour.
He was pretty out of it the whole tour. There were nights when I didn't even know what song he was playing. Nobody else did either. We just stayed on the same song while he stumbled around the neck of the guitar.
And he is the most brilliant guitar player in rock history. Certainly one of them…right up there with Jimmy [Page], I don't care what anyone says.
I think Eddie is as innovative as Jimmy or anyone else and together we wrote some of the greatest songs in rock history and with Dave they wrote some of the greatest songs in rock history.
So it's all been done. I don't want to go out there and bury the goose. I would sooner leave it alone and say let this thing go down as one of the greatest thing.
I don't want to keep going out there and butchering it.
But I wish we had of hit Australia.

Same here!
We obviously didn't leave the country…haha.

Probably a good thing, right?
Yeah! It's a long flight to deal with someone on an aircraft.

It sucks!
We had our own airplanes… Ed and Al had a plane and me and Mike had a plane, because the times we tried to fly together it would almost be a smack the windows out of the plane kinda vibe.
They couldn't put us on a commercial airliner all together…not for 8, 10 or 12 hours!

That's the worst thing about living down here.
It's a ways!

Jumping to the 5150 album – the 20th Anniversary of the album being released this year.
Oh that's right.

What an amazing record!
Yeah, that's a great record. That was Van Halen! I think For Unlawful Carnal Knowledge is the best record, that's my personal favourite. But 5150 was the most high energy rock n roll record that we made with me in the band. It was just magic.
We made that album in 4 weeks! It was done, thank you, goodbye, thank you – written, record and mixed. That's a good example of what the band could be when everyone is just letting each other just do their thing and everyone comes to the table with their thing and you just get in a room and pow!! It's just instant…those were the good days.

And you went from 4 weeks on that record to nearly a year on Carnal Knowledge.
Yeah. That was kind of intentional. That was our agreement with Andy Johns, the producer…that we wanted to make the definitive Van Halen record and we were getting along pretty good then.
But I'll straight up say it – the only problem with that record was that we were a little bit lazy - we had so much success and we were having such a good time.
Fucking Eddie and I were out buying new cars everyday and racing them down Pacific Coast Highway, you know, having a good time and not wanting to go into the studio and work as much.
So the reason that record took so long was mainly because of that, but it was a great record in the end.

I love it. I kinda move between that and 5150 as my favourites, depending on the day of the week. Amazing records.
Is there any chance of your records with Van Halen getting the remaster treatment like they did with the Dave era albums?

I would think so. I would think that it is not as necessary though as the Dave records were as they were from a different era.
They were records…vinyl and all that and they were mastered on vinyl, so they had already been mastered for CD, but I don't think the technology was up to par.

Yeah.
To where we started – 5150 could probably use it, but Balance man…shit, that was hot…about as good a technology as you could get. That record sounds phenomenal.
So I don't think that it is as necessary and that's probably why they haven't done that.
But that stuff doesn't mean anything to me…I'm kinda a vintage guy. I like things to be what they are and what they were and just leave them alone and move on.
To keep fucking around with that old stuff and trying to re-sell it to the fans, that takes a little bit of a cheap shot.
But that's what broke the band up in the first place – the first Greatest Hits record. It wasn't all that did it, but it was the icing on the cake.
To me I'm not into going in and recording two new songs…and that last venture with the Best of Both Worlds package – I was all for trying to do a whole record, but three months later I'm going 'Man, we haven't even finished three songs dude…you want to tour, let's go tour. You want to make a record, go call someone else.'
I wasn't going to spend all that time in there.

I can understand that. And now Eddie's off doing his adult movie soundtrack work now.
I think that is just his way of, like I said…trying to be a solo artist and trying to do it undercover.
But he needs to get out and do it. I'm all for him doing anything. I think he should go out and tour – find a little band and go out and play…just jam and be crazy and save Van Halen for Van Halen. Van Halen - that's gotta be four of us…or rather me or Dave, I don't give a shit. It's just gotta be four people getting along and playing music together and making the music together. Not about the way Eddie is trying to do it now.
It will never work – he should just go out and be a solo artist. Go jam, go play, go make a record…shit I'm all for it. That's what I'm going to do. That's the way I do it – 'ok, that ain't working, I'll go put my band together again you know.'

 

 

 

 


What's with Eddie and Alex Van Halen jamming with Kenny Chesney?? That's your gig!
Well, Kenny's my good buddy and they know it. When I took Michael Anthony out on tour I think it made them feel insecure, you know, 'we've gotta make a statement.'
So Kenny Chesney comes to town, they call up management and said we want to come and jam…just to show that they are not sitting at home doing nothing I guess.
It was the strangest thing…Kenny called me after that and said, he goes 'Oh my God dude, how did you do it?' Hahaha.

Oh no!
It was just the craziest wackiest thing for them to do that! Why wouldn't they have gone and jammed with some rock people or something? It just didn't make any sense whatsoever, but Ed and Al don't always make sense.

Ok, so any chance we might one day see Van Halen touring with both Sammy Hagar and David Lee Roth?
Oh no! So there you would throw another monkey wrench into the fucking brew! I don't ever see that happening.
That was my dream – to try and make that happen from the last Sam & Dave…when I took Dave on tour with me – the Sam & Dave tour.
That was my whole reason for doing that – 'perhaps Dave and I will become friends, we can buddy up and then we'll go hit on the brothers…and we'll have a great time.'
The fans deserved that. But oh no…but I'll tell you …right now, David is more user friendly than Eddie.

Oh dear. People within the industry often have colorful descriptions when talking about Dave.
He's wacky man…he's as wacky as a motherfucker…but at least you know what you get. With Eddie, he has become wacky. He used to be this sweet, great guy. He was my best friend, my next door neighbour, but he's turned into this monster.
But Dave's always been crazy. So at least you know what you are getting with Dave.
Dave cracks me up. He can't let the Van Halen thing go. His newest CD is a remake of the old Van Halen songs. I don't get it…'C'mon Dave, come up with some new shit, go freshen yourself up…'

His live set list is mainly Van Halen.
Yeah, it's 25 year old material…20 year old stuff whatever it is. C'mon man, he needs to get over the fact he's not in Van Halen anymore. Or maybe he should be…maybe that's the ticket.
It's just a shame that Australia – the only Van Halen tour you got was the Cherone tour.

I saw it and it wasn't pretty.
Yeah, Gary's a great guy, but that was so far removed from what Van Halen is all about. It was too bad we never got over there. But it's not over…
Andrew – it's not over until it's over.
I'm ready. I'm fucking ready. My chops are up – I'm out there singing and playing better than I ever have in my life and I can do it – anything that comes along I can do it.
And I'm open minded to doing it if it could be fun. Take the fun out of it and you lose me. I go with the fun.

Again, I don't know when you are going to pick up that phone that keeps ringing and end the interview, so I'll jump to some other questions quickly!
Well, I think times ran out…these last three phone calls have been my publicist trying to hook me up with the next interview…haha.
I'll give you one more Andrew – take your pick!

Thanks Sammy. Thank you mate…I appreciate the extra time. I just wanted to talk about another guitarist – a friend of mine and a friend of yours – Neal Schon.
Oh, he's awesome.

I'm sorry Planet Us didn't work out as I dug the two tunes that I heard.
Yeah, that could have been a great band, but as you well knew, I couldn't come out and say it at the time, but the Van Halen reunion was coming up and I couldn't have three bands!
I didn't want to take these guys down that road and then leave them high and dry.
So I had to pull the plug on that early – especially with a guy like Neal who the second you tell him something, you may as well have told you!

Hahaha…yeah!
But Neal's a great player…probably one of the most underrated guitar players around because he is as good as anyone, but he never gets the credit for inventing anything or you know.
But Neal goes back to Santana for God's sake! And here you are with a guy like Carlos Santana who is a legend himself – you are not going to get much credibility there.
And so you know, Neal since then it's just been such a commercial ride with Journey – but Journey is a great commercial band.

Oh absolutely.
They got big because they were so fucking good. They made such great songs. It wasn't because they were hit makers…they created those hits through just great musicianship and great songwriting.
Neal has never gotten his due and probably never will, but he's an awesome guitar player.

What do you think of their decision to go with Jeff Scott Soto as vocalist, standing in for Steve Augeri.
I think it's really too bad for Steve as he is a great guy and he meant well. But he got so hung up on trying to be Steve Perry that I think it took him down. Jeff's a great singer…Jeff's the real deal. Jeff's himself…he sings like Jeff Scott Soto. He doesn't sing like somebody else and that's what they needed all along because the rest of the guys in the band are that talented – that good.
So I think it will turn out to be a good move, just too bad it happened so late…and too bad for Steve, cause Steve did a great job filling in for Steve Perry for so many years, because that's what he was doing.
Now maybe Journey can reinvent themselves.

Jeff's a friend and an amazing singer.
Completely.

Montrose Sammy?
I think like Van Halen, Montrose for me is too retro…I can't go back and do an album. Every year I try to do something with Ronnie and Bill and Denny…you know, we've done it for a few years in a row, and it's great…but it's best to keep it like that.
But to say I'm going to put Montrose back together and go out and do a major album and major tour – I can't do that.
It was a great band…really really a great band. But I'm just so different from that now.

You have recorded one lead vocal for his [Ronnie Montrose] new album haven't you?
That's right – and it's a cool song – Colorblind. We co-wrote it just like the old days. Thank God it wasn't like the old days though…haha
Ronnie and I put all that shit to rest and we've grown up and it's awesome to go out on stage and play with those guys. Denny Carmassi is one of the greatest drummers on the planet.

Wonderful drummer…
I love that guy – one of my best friends, three of four times a week we speak on the phone or see each other. So it's all good. But I don't see that band getting back together and being valid in the world today other than just being some old band just trying to do it again. I'd rather just be this old guy that's doing it some other way.
4 old guys…there's nothing worse than 4 old guys! One's ok, but 4!!!

Haha. You are doing well Sammy.
Just quickly if I can – Michael Anthony – his interview with Burrn Magazine was one of the best and most open and honest interviews I have ever read.
I wanted to get your take on that – gutsy of him to come out and just tell it like it is.

I think it's about time.
Mike has always been the guy that Ed and Al kept their thumb on. And Eddie really was not good to him on the last tour. And I fought for him and if it wasn't for me fighting for him, they would have done the tour without him.
I said 'I will not do the tour without Michael Anthony. It is either going to be the four members or I'm out.'

Yes.
So I forced Mike into the band and by doing that, they were really really not cool to Mike. And Mike is the greatest fucking guy on the planet...he's one of the greatest bass players on the planet… one of the greatest background vocalists on the planet and he's valuable.
And to treat him like shit I don't get it. I don't fucking get it.
So I'm so happy for Mike that he stood up and went out and said 'Look man, I'm just going to tell it like it is and here's what's going on.' And that's the way it is going to be from now on.
Now that could be another part of the reason why there will never be a Van Halen re-union, cause I'm certainly not going to do it without Mike and they may not want to talk to Mike after that.

I thought it was an amazing interview…I had so much respect for him already, but after I read that, I was like – wow, you rule Mike.
You know Andrew….the bottom line is that everyone can sit here and say 'Oh he's the problem, that guy's the problem', point your finger at everybody…the bottom line really is that the Van Halen machine doesn't work well anymore.
If it did, I would be the first guy there saying 'Hey, this is a great band, I want to be part of this.' And I do want to be part of this, but not when you can't. I don't know what happened to Ed, but he's a changed dude.
If you ever do an interview with him, more power to you brother.

I'd actually love to do an interview with Ed.
I really hope you do get to interview this guy. When we did the reunion and we did the new record, as much press as we could have got – if you noticed, you never saw…very little interviews… never saw us on TV, never heard Eddie on the radio unless someone called him at 4 o'clock in the morning and hope that he answers the phone.

Haha…sure.
Ok, that is because Al is the smart brother and the good brother and he keeps that fucker out of the press. Because man, anyone that gets hold of that guy is going to get an earful.

I understand. I'm up for it!
Haha….ok man, this is my other call I gotta take it.

Ok thanks Sammy for the extra time, I really enjoyed talking with you. I appreciate it.
Ok, adios Andrew, bye.

 

 

 

 

 

 

c. 2006 MelodicRock.com / Interview By Andrew McNeice

 

 

 

 

 
Mon
06
May

Sammy Hagar & The Circle - "Affirmation" (New Audio)

 
"Affirmation" is Chapter 09 of the story unveiled in Sammy Hagar & the Circle's new concept album "Space Between".
 
Pre-order "Space Between" at https://sammyhagar.lnk.to/SpaceBetweenID
 
More on Sammy Hagar & The Circle at http://www.redrocker.com/circle
 
Tue
19
Mar

SAMMY HAGAR & THE CIRCLE 'Space Between' Out May 10

Friday, May 10, 2019
Categories: 
News Feed
SAMMY HAGAR & THE CIRCLE 
Supergroup feat Sammy Hagar, Michael Anthony,
Jason Bonham & Vic Johnson
Announce Debut Album Space Between Out May 10 via BMG
Sammy Hagar & The Circle will release their debut album of original material, 
Space Between on May 10 through BMG.  

Watch the music video for Trust Fund Baby sammyhagar.lnk.to/TFBVideoPR 

Stream/Buy the track here sammyhagar.lnk.to/TrustFundBabyPR 
 
The album, written by Hagar, unfolds like a novel with each song exploring a different chapter in a saga about money, greed, enlightenment and truth. 

The video for “Trust Fund Baby,” directed by ZZ Satriani (son of Hagar’s longtime collaborator and friend Joe Satriani) is an extreme glimpse into the eighth track “nailing what happens when kids are given too much money – to early in life – and it becomes an affliction,” 

Hagar explains. “All the money in the world isn’t a guarantee for a good life.  I’m a believer in working hard and finding purposeful work – but that comes in a later chapter.” 
ZZ Satriani, said of the process, "We were lucky because Sammy’s writing style let us create the story quite literally from the lyrics.”
 
“Trust Fund Baby” has received wide acclaim, including featured placement on several influential playlists -- among them -- the cover and lead track of Spotify’s Hard Rock playlist 
as well as Spotify’s Just Rock!, Rock Nation (Topsify US), New This Week (Topsify US), Rock Now(Topsify Canada) and Apple Music’s Breaking Hard Rock (US) playlists.
 
“Trust Fund Baby” kicks off a big year for Sammy Hagar & The Circle who will launch their North American tour in support of the album on April 19.
Tickets and tour information can he found HERE

Hagar has also just wrapped production on season four of his hit TV series, Rock and Roll Road Trip with Sammy Hagar, premiering later this year.

Formed in 2014, the acclaimed supergroup featuring Rock & Roll Hall of Fame inductees Sammy Hagar and bassist Michael Anthony, drummer Jason Bonham and guitarist Vic Johnson, quickly established themselves as one of the most emphatic and exciting live acts on tour today, seamlessly ripping through career-spanning hits from Montrose, Van Halen, Sammy Hagar and The Waboritas and Led Zeppelin
                               
Lyrically and musically, the collection of songs on Space Between build from intimate and introspective eye-openers to heart-pumping anthems. The music draws on the bands' substantial careers independently and collaboratively; presenting a veteran band still at the peak of their game.  

Sammy Hagar & The Circle will release Space Between on May 10 via BMG.

PRE-ORDER NOW! sammyhagar.lnk.to/SpaceBetweenPR 


 
Follow SAMMY HAGAR & THE CIRCLE
 
Tue
29
Jan

SAMMY HAGAR & THE CIRCLE Announce Debut Studio Album 'Space Between'

 
Stream & Download "Trust Fund Baby" now at https://sammyhagar.lnk.to/TrustFundBabyID
 
More on Sammy Hagar & The Circle at http://www.redrocker.com/
 
Trust Fund Baby Lyrics by Sammy Hagar; Music by Sammy Hagar, Jason Bonham, Ronnie Montrose.
 
Album release May 10th, 2019.  The band will mount a large-scale tour of North America, in support of the new album, in the Spring of 2019. Full track listing and touring details to be announced Monday, Feb 4.
 
With the upcoming release of Space Between, the band harnesses the depth of their artistic experiences and seminal collaborative sound with Hagar's prolific writing vein to produce an album that builds and explodes, song after song, around the concepts of money, greed, enlightenment and truth. Formed in 2014, the acclaimed supergroup featuring Rock & Roll Hall of Fame inductees Sammy Hagar and bassist Michael Anthony, drummer Jason Bonham and guitarist Vic Johnson, quickly established themselves as one of the most emphatic and exciting live acts on tour today, seamlessly ripping through career-spanning hits from Montrose, Van Halen, Sammy Hagar and The Waboritas and Led Zeppelin.
 
Lyrically and musically, the collection of songs on Space Between build from intimate and introspective eye-openers to heart-pumping anthems. The music draws on the bands' substantial careers independently and collaboratively; presenting a veteran band still at the peak of their game. Sammy Hagar & The Circle will release Space Between on May 10 via BMG. The band will mount a large-scale tour of North American, in support of the new album, in the Spring of 2019. Space Between tour itinerary, album track listing and more will be revealed beginning February 4.
 
BMG signed a worldwide label deal with Sammy Hagar & The Circle for the new album, Space Between, and will also include select Hagar catalog titles.
 
 
Mon
28
Jan

Rock Candy Latest - STEVE JONES & SAMMY HAGAR

Artist: 
Categories: 
News Feed
ROCK CANDY RECORDS has 3 new titles - all available now from www.rockcandyrecords.com
 
SAMMY HAGAR 'DANGER ZONE' CANDY334
 
‘DANGER ZONE’ WAS a particularly gutsy album that moved the guitarist towards a fuller hard rock sound boasting lashings of attack and excitement. It was a formidable album that set the red rocker up for major career advancement. Produced by British engineer Geoff Workman, fresh from recording Journey’s breakthrough album ‘Infinity’, it wasn’t the only Journey connection as both vocalist Steve Perry and guitarist Neal Schon made guest appearances helping to showcase a thoroughly impressive collection of tracks and a production that propelled Hagar’s stature ever upwards. Originally issued in 1980, the record contained ten golden hard rock nuggets enhancing his reputation as one of the most compelling and significant artists of the era.
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, 16 page full colour booklet, 4,000 word essay, enhanced artwork with unpublished photos.
TRACK LISTING: 1. LOVE OR MONEY 2. 20TH CENTURY MAN 3. MILES FROM BOREDOM 4. MOMMY SAYS, DADDY SAYS 5. IN THE NIGHT (ENTERING THE DANGER ZONE) 6. THE ICEMAN 7. BAD REPUTATION 8. HEARTBEAT 9. RUN FOR YOUR LIFE 10. THE DANGER ZONE
 
 
STEVE JONES 'MERCY' CANDY363
 
WHEN THE SEX PISTOLS disintegrated in 1978 guitarist Steve Jones involved himself in a number of diverse projects. Relocating to the USA he commenced building a career as a solo artist. His debut solo album ‘Mercy’, issued in 1984, was a unique and somewhat surprising statement from a man who had previously been viewed as a maverick guitar hero. The album is built primarily around melodic rock songs that, by any other artist, may have been labelled AOR. Of course these tracks provide a solid foundation for Steve to unleash some blazing lead guitar, however, the emphasis is not on power chords but carefully executed solos, helping to support the melody rather than burying it beneath mountainous riffs.
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, 12 page full colour booklet, 3,500 word essay, enhanced artwork with unpublished photos.
TRACK LISTING: 1. MERCY 2. GIVE IT UP 3. THAT’S ENOUGH 4. RAINING IN MY HEART 5. WITH YOU OR WITHOUT YOU 6. PLEASURE AND PAIN 7. PRETTY BABY 8. DRUGS SUCK 9. THROUGH THE NIGHT 10. LOVE LETTERS
 
 
STEVE JONES 'FIRE AND GASOLINE' CANDY364
 
THERE ARE FEW guitarists who have created as big an impact on rock music as Steve Jones. As one of the founding members of the Sex Pistols it was Jones who outlined the band’s sound, with his mountainous guitar riffs and unbridled energy pushing the material way beyond the red zone. ‘Fire And Gasoline’ really saw his creative juices flow. It was a tough and direct display of fire-power, bringing Jones’ guitar prowess to the fore. Produced by British studio wizard Mark Dearnley (AC/DC, Motorhead) with help from The CULT’s Ian Astbury, it concentrates on red hot riffs and shout-it-out-loud songs. Look out for guest appearances, most notably from Billy Duffy and Axl Rose.
SPECIAL DELUXE COLLECTOR’S EDITION. Fully Remastered Audio, Bonus track, 12 page full colour booklet, 3,500 word essay, enhanced artwork with unpublished photos.
TRACK LISTING: 1. FREEDOM FIGHTER 2. WE’RE NOT SAINTS 3. GOD IN LOUISIANA 4. FIRE AND GASOLINE 5. TROUBLE MAKER 6. I DID U NO WRONG 7. GET READY 8. GIMME LOVE 9. WILD WHEELS 10. HOLD ON 11. LEAVE YOUR SHOES ON. BONUS TRACK: 12. SUFFRAGETTE CITY
 
 
Thu
29
Jun

30 Years Ago Newly Installed Van Halen Singer Delivers Solo # 1, SAMMY HAGAR Moonlights To Satisfy Record Label

Artist: 
Wednesday, November 26, 2014
Categories: 
Podcasts & Radio
Dallas, TX - JUNE 29, 2017.  North American syndicated Rock radio show IN THE STUDIO with Redbeard: The Stories Behind History’s Greatest Rock Bands salutes Sammy Hagar on the 35th anniversary of Three Lock Box and the 30th anniversary of his knockout solo album I Never Said Goodbye.
 
After years of struggle as the downcard rock palooka who could take a punch and never go down, Sammy Hagar answered the bell in the Eighties and came out swinging. In 1982 Hagar scored a technical knockout with his first mainstream hit “Your Love Is Driving Me Crazy” from his seventh solo album Three Lock Box. By 1987, coming off the hugely successful VOA album with the highway anthem “I Can’t Drive 55”, the newly installed Van Halen lead singer would score his highest charting solo album ever I Never Said Goodbye with the powerful # 1 rock ballad “Give to Live”.  Hagar shares with IN THE STUDIO producer and host Redbeard how he managed to satisfy his solo artist commitments while joining the biggest band in the land.
 
“Everybody remembers the I Never Said Goodbye album that I made with Eddie (Van Halen) playing bass, right after 5150. Royalties off Van Halen records went to Geffen. I sold 5 million records for the guy (David Geffen) on three records. He wasn’t about to let one of his biggest artists just go - not anyone wouldd do that.”  - Sammy Hagar
The SAMMY HAGAR I Never Said Goodbye @ 30/ IN THE STUDIO with Redbeard  interview program is available to STREAM at:  “http://www.inthestudio.net/online-on-demand/sammy-hagar-never-said-goodbye/
 
Thu
09
Feb

CHICKENFOOT Streaming New Single From 'Best + Live'

Artist: 
Friday, March 10, 2017
Categories: 
News Feed
 
 
Chickenfoot's new release BEST + LIVE (coming March 10, 2017) features the band's first new tune in 5 years. The new track “Divine Termination” opens up the group’s first ever best of collection.
In addition to “Divine Termination,” BEST + LIVE includes over 90 minutes of live music – for the first time released on CD. Sammy Hagar says, "Listening to this collection of songs from the ‘Foot brings back memories of some of the most fun I've ever had in a band. The chemistry between Chad, Joe, Mike and me is very special. It's almost like visual music -- you can see us having fun when you listen to these songs."
 
In May 2016, Chickenfoot reunited for two highly-anticipated one-time shows at Harrah's Lake Tahoe, and played their first complete set in more than six years, along with a special unveiling of the new tune "Divine Termination." Joe Satriani describes the track as "bone crunching, hell raising rock, dripping with attitude and vibe. Just the way Chickenfoot likes it!"
 
Both the extra CD “LIVE” and the bonus tracks on the best of feature a 13 song strong set list including almost every song from Chickenfoot’s debut album as well as Sammy Hagar’s old Montrose classic “Bad Motor Scooter,” The Who’s “My Generation” and Joe Satriani’s interpretation of “The Star Spangled Banner" – all recorded live in Phoenix 2009 and available for the first time on CD (previously only available as video on the DVD/Blu-ray "Get Your Buzz On."
 
 
CD1 - BEST OF
  • 01. Divine Termination ** NEW SONG **
  • 02. Soap On A Rope
  • 03. Sexy Little Thing
  • 04. Oh Yeah
  • 05. Get It Up
  • 06. Future In The Past
  • 07. Big Foot
  • 08. Different Devil
  • 09. Lighten Up
  • 10. Dubai Blues
  • 11. Something Going Wrong
Bonus LIVE TRACKS:
  • 12. Highway Star
  • 13. Bad Motor Scooter
  • 14. My Generation
CD2 - LIVE
  • 01. Avenida Revolution
  • 02. Sexy Little Thing
  • 03. Soap On A Rope
  • 04. My Kinda Girl
  • 05. Down The Drain
  • 06. Bitten By The Wolf
  • 07. Oh Yeah
  • 08. Learning To Fall
  • 09. Get It Up
  • 10. Turnin’ Left
  • 11. Future In The Past
Release Date: Friday, March 10th, 2017 by eOne Music in North America and earMUSIC/Edel around the world. 
 
Tue
22
Nov

Rock Candy Records Latest - SAMMY HAGAR, TYKETTO, KICK AXE, SALTY DOG

Artist: 
Categories: 
News Feed
 
The following eight new Rock Candy titles are all available now from www.rockcandyrecords.com for a discounted price.
 
SURVIVOR 'EYE OF THE TIGER' CANDY322
 
STOP ANYONE ON the street and ask them to name one of their all time favourite rock tracks and there's a very good chance that 'Eye Of The Tiger' will top that poll. As one of the most ubiquitous tracks of all time, this song not only topped the singles chart in the USA but it also became synonymous with one of the biggest movies of the 1980s, namely 'Rocky III'; Sylvester Stallone personally requested the track and, by including it in the film, gave the song a thirty million dollar promo video!
Up to that point survivor had proved to be moderately successful melodic hard rock band but with the boost from 'Rocky III' the band was suddenly thrust into the spotlight, securing them the same sort of adulation afforded other hard rock heavy hitters such as Journey, Foreigner and Boston. It was a pedestal that served them well for the rest of the decade and beyond. Both the single and the album topped the US charts in the summer of 1982.
The album was produced by guitarist Frankie Sullivan and engineered by Mike Clink, a man who would later go on to produce Guns N' Roses. Although the title track is universally known, the album contains a brace of superbly written and arranged tracks that indicate the band's talent had reached new levels of creativity, even spawning another massive hit single with 'American Heartbeat', proving, if proof were needed, that Survivor could do no wrong.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, BONUS TRACK, 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK
 
TRACK LISTING: 1. EYE OF THE TIGER 2. FEELS LIKE LOVE 3. HESITATION DANCE 4. THE ONE THAT REALLY MATTERS 5. I'M NOT THAT MAN ANYMORE 6. CHILDREN OF THE NIGHT 7. EVER SINCE THE WORLD EGAN 8. AMERICAN HEARTBEAT 9. SILVER GIRL. BONUS TRACK: 10. EYE OF THE TIGER (SPECIAL EXTENDED VERSION)

 
  

SAMMMY HAGAR 'ALL NIGHT LONG' CANDY 290
 
ONE OF THE great things for rock bands during the 1970s was that they had plenty of opportunity to play live, to hugely appreciative audiences. But not only did their studio recordings have to be great they also had to deliver live in concert, and this was an area that really separated the wheat from the chaff. If you were known as a great live act then your success was almost guaranteed
With this in mind, it's no surprise that Sammy Hagar's live performances had almost become legendary. After three studio albums he had carved out a rock solid audience eager to lap up his no nonsense live performances and 'All Night Long' is a fine testament to that fact. Surrounded by members of what was, in effect, the same band that Sammy had commenced his career with, namely Montrose, and the addition of super guitarist Gary Pihl, the album cemented his ability in stone.
Originally released in 1978, and taped at headlining shows in California whilst he was promoting  the 'Musical Chairs' release, the album captures Sammy in full flight. Remarkably, there are none of the usual overdubs or studio 'fixes' on this record whatsoever, just the band and a mobile studio capturing a moment in time that still sounds remarkably fresh to this very day. Of course, the ghost of Montrose is never that far away with electrifying renditions of 'Make It Last' and 'Bad Motor Scooter' underscoring a link that will always be present.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 26 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK WITH PREVIOUSLY UNSEEN PHOTOS.
 
TRACK LISTING: 1. RED 2. ROCK 'N' ROLL WEEKEND 3. MAKE IT LAST / RECKLESS 4. TURN UP THE MUSIC 5. I'VE DONE EVERYTHING FOR YOU 6. YOUNG GIRL BLUES 7. BAD MOTOR SCOOTER
 
TYKETTO 'DON'T COME EASY' CANDY295
 
THE EARLY 90'S presented a massive challenge to a number of melodic rock bands. The musical climate was being transformed by a rush of angry young men playing a stripped down form of rock, less influenced by style and bravado, and built mainly on angst and melancholy. For Tyketto this landscape meant that their arrival would be subjected to a chilly reception from a media obsessed with trends and fads.
The fact that Tyketto were out of step with the prevailing musical winds didn't mean to say that their music was anything less than spectacular. Indeed, their style and execution caused major excitement amongst connoisseurs of the genre, leading many to proclaim the album as one of the best records of the entire movement.
Formed in the late 80's, this New Jersey four piece had links to well known groups such as White Lion and Waysted. Impressing a number of labels with their own meticulous style of melodic hard rock, they signed to industry giant Geffen Records and cut this, their debut album, with renowned producer Richie Zito (Heart, Bad English and Poison). Inexplicably, the label sat on the completed record for over a year before releasing it, at a time when the public was then beginning to focus on grunge.
But if you like your music to sound big, bold and crammed full of hooks, in the mould of say Bon Jovi, White Lion and Winger, then this record will send you to seventh heaven; It's truly a remarkable achievement.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, BONUS TRACK, 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK WITH UNSEEN PHOTOS
 
TRACK LISTING: 1. FOREVER YOUNG 2. WINGS 3. BURNING DOWN INSIDE 4. SEASONS 5. STANDING ALONE 6. LAY YOUR BODY DOWN 7. WALK ON FIRE 8. NOTHING BUT LOVE 9. STRIP ME DOWN 10. SAIL AWAY. BONUS TRACK: 11. WALK AWAY
 
SALTY DOG 'EVERYDOG HAS ITS DAY' CANDY 304
 
THE SAYING GOES that every dog has its day but for one particular band that tired old proverb held no truth whatsoever. It's a shame, as the band in question , Salty Dog, happened to be one of the most outstanding acts of their time fusing red hot rock with a bluesy undertow that led others, such as Great White and Guns 'N Roses, to fame and fortune.
Formed in Los Angeles during the late 80s, but comprised of outsiders from a number of diverse locations, the band honed their chops in rehearsal studios, assembling a line up that would sound not only right together but also very different from what was happening on the strip. Indeed, the band's style incorporated a number of influences, from the old school rock of Led Zeppelin and Aerosmith, to the contemporary cut and thrust of Guns 'N Roses. It was also a sound that paid homage to the blues. That's the vintage gnarly influences of cats such a Muddy Waters and T-Bone Walker.
Originally released in 1990, the band received universal acclaim from critics, but failed to generate serious sales momentum. Produced by Peter Collins (Rush, Queensryche, Gary Moore) and engineered by British wunderkind Geoff Workman (Journey, Foreigner, M'tley Cr'e) the music resonates with killer intention. A sound that suggested the band would rightly take their place in the hard rock pantheon, alongside true greats, but sadly that was not to be.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, FOUR BONUS TRACKS, 16 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK WITH UNSEEN PHOTOS
 
TRACK LISTING: 1. COME ALONG 2. CAT'S GOT NINE 3. RING MY BELL 4. WHERE THE SUN DON'T SHINE 5. SPOONFUL 6. JUST LIKE A WOMAN 7. SIM SALA BIM 8. KEEP ME DOWN 9.    HEAVE HARD (SHE COMES EASY) 10. LONESOME FOOL 11. SLOW DAZE 12. SACRIFICE ME 13. NOTHIN' BUT A DREAM. BONUS TRACKS: 14. KEEP ME DOWN (Demo) 15. COME ALONG (Demo) 16. THE BUCKET SONG (Demo) 17. RING MY BELL (Demo)

 

NYMPHS 'S/T' CANDY305
 
THAT THE NYMPHS were not made for this commercial world is, on reflection, a pretty obvious statement. This is the story of a gloriously talented and forward thinking band, led by one of the most enigmatic and fascinating female vocalists of the time. In many respects they were destined for failure; it was a scenario written in the stars and one that maybe could never have succeeded, despite valiant attempts made by all those involved in the project. Indeed, if you are looking for a text book example of a great concept that crashed and burnt then this is the one.
Based in Los Angeles during the late 80s and led by Inger Lorre, the band were snapped up by label giant Geffen Records and touted as a revelation. Sounding pretty much unlike anything else at the time, their firebrand alt hard rock galvanised the label into believing the band held the key to the future. In many ways they did by making a stunning record, helmed by respected British producer Bill Price, the very same man who tamed the Sex Pistols, set fire to the Clash and gave the Pretenders a sound that continues to endure.
It was, however, Lorre's charismatic leadership and song writing that has secured the band's place in the pantheon of missed opportunities. Controversial, volatile and unapologetic, Inger led from the front, missing no opportunity to cause mayhem at every opportunity. Truly, this is one of the most extraordinary records of the last twenty five years.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 20 PAGE FULL COLOUR BOOKLET, 4,000 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK WITH PREVIOUSLY UNSEEN PHOTOS.
 
TRACK LISTING: 1. JUST ONE HAPPY DAY 2. COLD 3. 2 CATS 4. IMITATING ANGELS 5. WASTING MY DAYS 6. HEAVEN 7. SUPERSONIC 8. SAD AND DAMNED 9. DEATH OF A SCENESTER 10. THE RIVER 11.  REVOLT 12. THE HIGHWAY

 

KICK AXE 'VICES' CANDY337
 
CANADIAN ROCK HAS always been highly regarded amongst discerning heavy metal fans. In general, the quality of the craftsmanship, songwriting and playing is, in many respects, superior to any other country in the world, lending the acts an air of confidence and accomplishment that has always impressed. Kick Axe were, it must be said, one of the best Canadian hard rock acts that emerged during the early eighties, rubbing shoulders with other hot contenders such as Helix, Coney Hatch and Anvil to name but a few.
The Saskatchewan based five piece were initially formed by two brothers, that's Larry and Brian Gillstrom, together with bassist Victor Langen, all spurred on by the onslaught of British metal acts such as Judas Priest and Iron Maiden. Their intention was to craft a unit that embraced all the cut and thrust of the original genre, while injecting their sound with a melodic and contemporary edge. Signing to CBS Records in Canada the band was then, surprisingly, taken under the wing of Pasha Records in the USA, home of multiplatinum sellers Quiet Riot.
Produced by Spencer Proffer (Quiet Riot, King Kobra, W.A.S.P.) and originally issued in 1984, the album contains a sterling selection of tracks that place the band center stage in the burgeoning mid 80s hard rock renaissance, and give vocalist George Criston room to impress at every turn. As a prime example of 24 Karat Canadian rock, 'Vices' takes no prisoners and lays down the law with focussed intent.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, BONUS TRACK, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK.
 
TRACK LISTING: 1. HEAVY METAL SHUFFLE 2. VICES 3. STAY ON TOP 4. DREAMIN' ABOUT YOU 5. MANEATER 6. ON THE ROAD TO ROCK 7. CAUSE FOR ALARM 8. ALIVE & KICKIN' 9. ALL THE RIGHT MOVES 10. JUST PASSIN' THROUGH BONUS TRACK: 11. 30 DAYS IN THE HOLE

KICK AXE 'WELCOME TO THE CLUB' CANDY338
 
THE MID 80S WAS an extremely healthy time for hard rock and heavy metal. It was also a prime era for Canadian acts, which seemed to be appearing at an alarming rate and all with one thing in common; they were consistently accomplished and uniquely skilful. Several of them were going global, such as Rush, Triumph and April Wine, but it was at a grass roots level that the real impact was being felt, with Kick Axe being at the sharp end of this new wave of maple leaf metal.
Following on the heels of their debut album, Kick Axe got right back in the saddle with a well crafted follow up; 'Welcome To The Club', produced, once again, by Spencer Proffer (Quiet Riot, King Kobra, W.A.S.P.) and his, for this record, assistant Randy Bishop. It was a far more mature recording, exuding a new level of sophistication by bringing in to play the sort of sound being pioneered by artists such as Queensryche and Dio. They didn't, however, take their eyes off the prize, keeping brute force to the fore and all hands on the steering wheel.
Issued in 1985, the record received, quite rightly, solid critical praise as it contains a brace of killer tracks, including 'Feel The Power', 'Hellraisers', 'Make Your Move' and a surprising cover version of the Beatles' 'With A Little Help from My Friends' that features several prominent Canadian musicians, including members of Triumph, Coney Hatch , Toronto, Sheriff, and Lee Aaron.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK.
 
TRACK LISTING: 1. WELCOME TO THE CLUB 2. FEELS GOOD ' DON'T STOP 3. COMIN' AFTER YOU 4. MAKE YOUR MOVE 5. NEVER LET GO 6. HELLRAISERS 7. CAN'T TAKE IT WITH YOU 8. TOO LOUD...TOO OLD 9. FEEL THE POWER 10. WITH A LITTLE HELP FROM MY FRIENDS
 
KICK AXE 'ROCK THE WORLD' CANDY339
 
IT'S OFTEN THE case with artists that they produce their best work when they are most under the most pressure. For Kick Axe this theory proved to be true when they unexpectedly found themselves cast adrift from their American label Pasha Records. It was a tough pill to swallow at first, but with the support of their Canadian label CBS the band lived on to not only fight another day but also to deliver their most accomplished record.
The Vancouver based quintet had made strong inroads into the world of hard rock and metal over the previous years, but had failed to connect on a commercial level. Their brand of tough muscular rock secured them a firm and committed following but various factors had prevented them from developing their unique abilities. The recording of 'Rock The World' showed that they could not only write great material but also refine their style of grandiose hard rock to reach its full potential.
Issued in 1986, the record featured ten superlative tracks; from short sharp red hot rock to captivating widescreen epics such as 'We Still Remember', 'Magic Man' and 'Warrior', all emblazoned with grandiose arrangements yet offering a firm power metal foundation. The production, handled by the band, is crisp and tight, giving no indication that they were forced to record the album on a shoestring budget. Truly, this is one of the rock world's best kept secrets, deserving of a place in any discerning collection.
 
SPECIAL DELUXE COLLECTOR'S EDITION, FULLY REMASTERED SOUND, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEW AND ENHANCED ARTWORK.
 
TRACK LISTING: 1. ROCK THE WORLD 2. THE CHAIN 3. RED LINE 4. DEVACHAN 5. WARRIOR 6. WE STILL REMEMBER 7. GREAT ESCAPE 8. MEDUSA 9. THE DARK CRUSADE 10. MAGIC MAN
 
 
Tue
22
Nov

ROCK CANDY RECORDS Announce Launch Of USA Operation

Categories: 
News Feed
 
ROCK CANDY RECORDS ANNOUNCES THE LAUNCH OF U.S. OPERATION WITH 4 NEWLY AVAILABLE COMPACT DISC TITLES SET FOR RELEASE NOVEMBER 18, 2016
ALBUM PRE-ORDERS AVAILABLE NOW FOR DELUXE DISC RE-RELEASES FROM SAMMY HAGAR, THE NYMPHS, SALTY DOG AND TYKETTO
RED DISTRIBUTION TO DISTRIBUTE ROCK CANDY RECORDS IN NORTH AMERICA
 
The times they are a-changing, but luckily there remains one constant: great music will live forever and in the catalogue and reissue world that has never been more relevant.
In the land of rock, that’s hard rock, heavy rock, classic rock or, call it what you will rock, no label has won more acclaim and earned respect than Rock Candy Records. Owned and founded by former music journalist and A&R man Derek Oliver, Rock Candy has focused on breathing life into records that deserve a place in the pantheon of rock history.
 
Operating out of London, England for the last eight years, the label specialises in revisiting some of the most important and significant records from the 70’s, 80’s and 90’s.
From Ted Nugent to Rick Springfield, by way of Quiet Riot, Dokken, Billy Squier, Toto, Ratt, R.E.O. Speedwagon, L.A. Guns, Ace Frehley, Hanoi Rocks, and Kansas, the label has re-activated some of the greatest records of the last forty years, buffing them up, and re-positioning them as 24 Karat diamonds. To date, Rock Candy has re-released over 300 titles in Europe.
 
Rock Candy has made a concerted effort to dig deep and unearth a string of lesser known acts and records ripe for reappraisal, albums that have always been hot on the collectors market but overlooked at the time of release or just slipped below the surface through no fault of their own. Records by Montrose (the band who wrote the track that inspired the company’s name), Hughes/Thrall, The Godz, Blue Murder, Smashed Gladys, Girl and Blackfoot) have all been brought back to life for a victory lap. Having conquered Europe, Rock Candy has now set up shop in North America, happily partnering with industry powerhouse RED Distribution.
It’s a match made in rock n’ roll heaven and one that will shortly see the launch of a U.S. offensive, starting with four tantalising titles on Friday, November 18.
 
RED President Bob Morelli comments, “Derek Oliver’s Rock Candy imprint and RED are a perfect fit. Already a leader in unearthing the best in-demand out of print rock titles in Europe, the label joins RED like-minded music strategy in the U.S. As we outpace industry growth in vinyl Market Share, the addition of Rock Candy will help keep that trend alive and we are thrilled to have them on board.”
 
Keep an eye and, especially, an ear out for future offerings, but for now please raise a glass and join us for a toast to the imminent arrival of the following four solid gold classics all released on Friday, November 18. 
These forthcoming CD titles along with limited-edition select merch are available for pre-order now at the newly launched Rock Candy U.S. storefront.
 
Visit http://merchnow.com/catalogs/rock-candy-records now for more information
 
NYMPHS - S/T
SAMMY HAGAR - ALL NIGHT LONG
SALTY DOG - EVERYDOG HAS IT’S DAY
TYKETTO - DON’T COME EASY
 
Wed
06
Jul

RICKY PHILLIPS Talks To Sleaze Roxx; MONTROSE & COVERDALE/PAGE

Artist: 
Categories: 
Podcasts & Radio
 
Follow the link to read Sleaze Roxx's interview with Styx bassist Ricky Phillips including details of the last recordings from Ronnie Montrose to be released.

http://sleazeroxx.com/interviews/ricky-phillips-of-styx-interview/

Credit: Ruben Mosqueda of Sleaze Roxx (sleazeroxx.com). Excerpts from the interview:

DETAILS ON LAST RECORDINGS FROM RONNIE MONTROSE ABOUT TO BE RELEASED

Ricky Phillips: I met Ronnie back in the early '80s through a producer friend of mine. He and Ronnie had done a project where it was just he and Ronnie on stage. It was extraordinary. It was probably overshooting for the average Joe. It was aimed for a higher brow musically. Ronnie had done the Montrose thing with Sammy [Hagar] and he had done Gamma which was a bit more 'proggy.' He wanted to do something new. If he had just stayed a rock guitarist, he have become a household name because he was so great at it. He is a guy that played those licks first and a lot of guys stole from him. I've been told this from guys I know that are in huge bands.

I went out to do shows with Ronnie along with Eric Singer [KISS, Alice Cooper, Badlands]. We had a few different singers. Ronnie loved the way we sounded and he was inspired to do another rock record. Eric, Ronnie and I went into the studio and laid down ten tracks. I started working with Styx and Eric resumed working with Alice and KISS back to back.

Right before I went on tour with Styx I received a call from Ronnie he said 'Listen I have an idea. I'm calling the record 10 by 10. We'll get 10 different singers, one for each song and we'll get this thing done.' I said 'That's a great idea Ronnie but we can't even think of one singer we like! How are we going to find 10?!' [laughs] He replied 'Listen I'll call Sammy [Hagar] and ask if he can do one. I'll call Edgar [Winter] and see if he can do another. I'll call people I know.' I didn't have the time to chase down people to sing on the album but he did. He got them and then some. He got Mark Farner [Grand Funk Railroad], Gregg Rolie [Journey, Santana], Eric Martin [Mr. Big] and David Pattison [Gamma]. I got Tommy Shaw on one of the tracks. It became this cool project that had this really cool band.

The record sounds cohesive. It's a very interesting record. We finally found a home for it. We're having some meetings with a label about it getting released and I hope we have this album released by the beginning of 2017.

I jumped ahead a little bit. When I say that we recorded the album; drums, bass and rhythm guitars were done. Ronnie passed before he could lay down guitar solos. I mixed the record so that Ronnie was very big in the record. It was his concept so I wanted to ensure that he was represented on this record. I wanted to bring in guys that Ronnie was into to come in and record the solos for the album. I didn't get everybody that I went after but I think all the right guys are on the record. There's a great mix of singers and guitarists on there. I have Glenn Hughes on a track with Phil Collen from Def Leppard playing the solo, Sammy Hagar featuring Steve Lukather [Toto]' Eric Martin, I paired up with Dave Meniketti [Y&T] and on and on. We have Joe Bonamassa on there too. I also have Brad Whitford who is the unsung hero to both Ronnie and I in Aerosmith. He's the dark horse in that band. I called him and he was honored to be a part of it. I can't wait for you to hear the track with Edgar Winter and Rick Derringer. It sounds like it was lifted right out of the '70s.

I'm excited for the album to come out. There's been a lot of blood, sweat and tears put into this album and a lot of love. I think Ronnie will be looking down on us smiling when it's released. It's pretty special.

WAS JIMMY PAGE WORKING WITH DAVID COVERDALE IN PAGE/PLANT JUST TO WORK WITH ROBERT PLANT?

Sleaze Roxx: And There's Coverdale/Page which you were a part of. I was looking at the RIAA page and the album achieved platinum status [1 million copies sold] in the United States. At the time, it was considered a 'flop' but it sold a million copies. It's a good record.

Ricky Phillips: It went platinum relatively quickly too. I learned a lot on that record from Jimmy [Page] and David [Coverdale] making that record about the business. John Kalodner, a behind the scenes record guy who has made a lot of careers happen, really believed in it. John knew it was a great combination. David [Coverdale] got a lot of flak for sounding like Robert Plant. You know when Jimmy [Page] starts playing, that's what you do! [laughs] That's what comes out of your voice. That's what needs to be done! [laughs] That's what David was doing. I think he did an incredible job. I have some recordings of us working on material. I think those are even better than the record because we're fishing for ideas. That's really honest, pure creation happening there and I happen to have those recorded.

As time went on, Jimmy bought a home in Florida and he was moving there. Then we moved the recording to Vancouver, BC, and people got sick' A lot of stuff started happening. We spent about five months working and putting that album together. I'm not making any excuses because I think we made a great record. When we were making the video ['Pride And Joy'] Jimmy pulled me aside and said 'I'm getting back together with Robert [Plant].' You know, there will always be those rumors that he worked with David just to get Robert to work with him. [laughs] I don't know that it's true. It makes me wonder. That's what I wondered at the time when he pulled me aside. That was the end of Coverdale/Page.

I had a blast hanging out with Jimmy. I was constantly asking him about The Yardbirds which is one of my favorite bands. Can you imagine a band that featured [Jeff] Beck, [Eric] Clapton and [Jimmy] Page at one time or another? He didn't seem to mind telling the stories. [laughs] On many levels, it was an interesting and educational time.
 
Mon
06
Jun

VERNON NEILLY's All-Star CD 'Outta Time'

Artist: 
Categories: 
News Feed

Award-Winning Recording Artist Vernon Neilly releases his new album "Outta Time" on his own record label Boosweet Records.
 
Vic Johnson is a great guitar player, the thing that I love most about his playing is his tone, Vic has tone for days... 
~ Vernon Neilly

Vernon has released his 5th solo CD entitled 'Outta Time' to his international fan base and the world. This CD features some of the most prominent guitar players, bass players, and drummers in the world.
 
Vernon Neilly is no stranger to talent laden musical projects, and this CD 'Outta Time'  is no different. Vernon brings together super virtuoso and legendary guitar and bass players, to include Sammy Hagar's ax-man Vic Johnson and others to help him to express his musical point of view. Although 'Outta Time'  boasts supreme musical fire power, it is far more than an exposition of world class musical abilities. The CD has a definite message for our times by means of songs like 'They Don't Care', 'Outta Time', and the cool 'Git Yo Lyfe Rite'. Strong melodies and hooks will have the listener singing along.
 
Vernon says, "the reason why I chose Vic for this particular song "Git Yo Lyfe Rite"  is because it's a Funk Rock type of song so when he plays you feel every note and he is a very soulful player! If you listen to Vic's solo on this tune it's perfect, feeling and tone for days! He's a bad boy!"
 
Vernon was heavily influenced by Jimi Hendrix as a youth, and pays tribute to the Guitar Hero with is version of 'Fire'  rearranged and produced by Vernon and Greg Howe. Vernon and this all-star cast of virtuosos Greg Howe (Michael Jackson, Justin Timberlake, Rhianna), Frank Gambale (Chic Corea, Return To Forever), Jennifer Batten (Michael Jackson, Jeff Beck), Kiko Loureiro (Angra, Megadeth), Mattias IA Eklundh  (Freak Kitchen), Victor Johnson (Busboys, Total Eclipse, Sammy Hagar), Doug Wimbish (Living Colour, Jeff Beck, Tarja), TM Stevens (Steve Vai), Juan Nelson (Ben Harper) and the other highly skilled musicians bring the heat on 'Outta Time'.

*** All songs written by Vernon Neilly published by VNeillyI Songs BMI
*** Fire written by Jimi Hendrix published by Experience Hendrix LLC.

Online Websites:

http://www.vernonneilly.com/
https://www.facebook.com/VernonNeillyBand
https://www.facebook.com/vernonneilly
https://twitter.com/VernonNeilly
https://www.reverbnation.com/vernonneillyband
 
Genre: Alt Rock, Modern Rock, Pop Rock, Funk Rock, Blues Rock, Classis Rock, Jazz Rock
 
BOOSWEET RECORDS 
VERNON NEILLY - OUTTA TIME Song List:
 
1. Fire Single Edit feat. Greg Howe, Vernon Neilly (guitar solos) Vernon Neilly (vocals) TM Stevens (bass)
2. They Don't Care feat. Doug Wimbish (bass) and Khalif (vocals) Vernon Neilly, Bill Hudson (guitar solos)
3. Outta Time feat. Mattias IA Eklundh (guitar solo) Khalif (vocals) TM Stevens (bass) Eric Valentine (drums)
4. Git Yo Lyfe Rite feat. Vernon Neilly, Vic Johnson (guitar solos) Vernon Neilly (vocals) TM Stevens (bass) Eric Valentine (drums)
5. So Far Away feat. Vernon Neilly (guitar solos & vocals) Charles Glen (bass) Steve Ferrone (drums)
6. Nassau Nights feat. Vernon Neilly, Frank Gambale, Cacau Santos (guitar solos) Derrick Murdock (bass) Cuca Texeira (drums)
7. Meta Funk Trip feat Vernon Neilly, Kiko Loureiro, Jennifer Batten (guitar solos) Philip Bynoe, Juan Nelson (bass) Cuca Texeira (drums)
8. Fire feat. Greg Howe, Vernon Neilly (guitar solos) Vernon Neilly (vocals) TM Stevens (bass)
 
  

 
Fri
15
Jan
 
Tue
15
Dec

'Rock & Roll Road Trip with SAMMY HAGAR' Coming This January

 
The Red Rocker Takes Viewers On An Intimate and Unforgettable Journey Celebrating All Things Rock N’ Roll With Tommy LeeBob WeirMickey Hart,Alice CooperJerry Cantrell, Nancy Wilson, The Circle, and more! Tune in starting Sunday, January 24 at 9|8c only on AXS TVFind AXS TV Here: http://bit.ly/WtTUDr and stay up to date on Sammy at http://www.redrocker.com/
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